Clément LEFEBVRE, 2019 Long, Thibaud, Crespin competition winner, piano recital

Quand :
15 mars 2020 @ 16 h 00 min – 17 h 30 min
2020-03-15T16:00:00+01:00
2020-03-15T17:30:00+01:00
Où :
Pôle d'Animation Culturelle
Avenue d'Aquitaine 24480 Le Buisson de Cadouin
Coût :
Entrée : 15€, adhérents 12€, étudiants, demandeurs d'emploi 8€, tarif famille, gratuit moins de 16 ans
Contact :
Barasz Raymond
0553 23 86 22

Program :

RAVEL

– Pavane pour une infante défunte

– Le Tombeau de Couperin

RAMEAU

– Allemande, Les Trois Mains, Gavotte et six doubles (extraits de la Nouvelle suite en LA)

FAURÉ

– Nocturnes n.6 & 11

FRANCK

– Prélude Choral et Fugue

 

 

Clément Lefebvre
If there is a circle of poet-musicians, the pianist Clément Lefebvre is the torch-bearer of his generation. His first album « Rameau/Couperin », released in 2018 by Evidence Classics, reveals him as such to the music-loving public and within the musical world. This recording now bears his unique artistic signature, which earned him immediate and unanimous recognition: a « masterstroke » crowned with a Diapason d’Or Découverte.
His authentic personality and poetic sense were also noticed at the 2019 International Long-Thibaud-Crespin Competition, of which he is laureate. Previously, he had been distinguished across the Channel, winning in 2016 the First Prize and the Audience Prize at the James Mottram International Piano Competition in Manchester.
 This double consecration comes in the course of a musical journey that began in his early youth in the north of France, then in Paris when he was only ten years old, with Billy Eidi, who gave him everything that constitutes the foundations of the musical art. He then went on to Lille, where he trained with Marc Lys and Jean-Michel Dayez, then at the Conservatoire de Boulogne-Billancourt in Hortense’s Cartier-Bresson class., and finally at the CNSM in Paris: a student of Roger Muraro and Isabelle Dubuis, he also received advice from Claire Désert, Alain Planès, and Pierre-Laurent Aimard.
 With a great artistic demand that he developed with these masters, he owes it to Roger Muraro in particular to know how to assert his musical thought in rigour, depth but also expressive imagination, whether it is through the attention paid to the clarity of the musical discourse, or the one dedicated to the creation of a sound universe.
Stone by stone, his artistic career is taking shape and taking solid shape: the Banque Populaire Foundation, the Safran Foundation, the Société Générale Patronage, these prestigious institutions of which he is a laureate, give him their trust and support.
Festivals and organisers invite him to perform at La Roque d’Anthéron, the Folle Journée de Nantes, the Chopin Festival in Paris, the Soloists in Bagatelle, the Nohant Piano Festival, the Radio France auditorium, the Louvre auditorium and the Philharmonie de Paris. He has performed on foreign stages: Dublin, Beijing, Brussels, Berlin, Amsterdam.

 As a soloist, he has the privilege of playing in concert with the Royal Liverpool Philharmonic Orchestra, the Orchestre National de France, the Orchestre de la Garde Républicaine.


With the pianist Alexandre Lory, he forms a duo committed to exploring the greatest orchestral pages through the art of transcription. A sought-after partner in chamber music, he is invited to share the stage with Philippe Bernold, Anne Queffélec, Anastasia Kobekina and Olivier Patey. It is with the violinist Shuichi Okada that he conceived and performed the programme for their 2019 release on the Mirare label: sonatas and interwoven romances by Robert and Clara Schumann and Johannes Brahms.

« Clément Lefebvre opens the doors to an ever-renewed musical world: in Schumann, in Couperin and Rameau, obviously, but also in Debussy, Ravel, Haydn, Brahms, Fauré.An inspired, elegant and sensitive artist, he reveals unsuspected charms. His play, like his smile and his look, sincere and fair, combines this perfect balance that touches the mind and the heart, between tenderness and willpower, reverie and energy. Clément Lefebvre has noble words and poetry at his fingertips. »