Program :

Félix Mendelssohn – Trio n°1 en ré mineur

Arenski – Trio n°1 en ré mineur

Enescu – sérénade lointaine

Trio Biography

The Parhélie is a rare and fleeting meteorological phenomenon that occurs when the sun’s rays, low on the horizon, pass through a cloud of ice crystals; thanks to a phenomenon of light refraction, three stars appear to appear in a solar halo. The Parhélie Trio incorporates this founding idea as the matrix of its aesthetic; it interprets works in terms of lighting, color, and reverberation, which pushes it to constantly question

its interpretation and its perspective on the repertoire.

The Parhélie Trio, a member of the CNSMD in Paris, is in residence at the Singer-Polignac Foundation and at the European Center for Chamber Music ProQuartet.

Spotted in 2023 during the Lyon International Competition, the trio was invited by Vincent Coq (Trio Wanderer) to participate in a residency at the La Roque d’Anthéron Festival.

Since then, they have regularly performed at various renowned festivals and academies such as La Chaise-Dieu, Jeunes Talents, Les Pianissimes, Les Automnales du Château de Compiègne, and more. The trio will also make their Chinese debut in the summer of 2025 with a three-week tour.

The Parhélie Trio won first prize at the FNAPEC European Competition, the Piano Trio Prize at the ISA Festival (Austria), and was a finalist at the Lyon International Chamber Music Competition in 2023. For its various projects, the Parhélie Trio is supported by the Société Générale Foundation « C’est vous l’avenir » (It’s You the Future), Catherine Delepelaire, and via ProQuartet, Crédit Agricole Ile-de-France, as well as the Peters family.

Individual Biographies

Lilya Chifman began learning the violin at the age of 4 and joined the Conservatoire de Paris (Regional Conservatory of Music), where she studied with Larissa Kolos and Florin Szigeti until the Concert Cycle. At 16, she won first prize at the Vatelot-Rampal Competition, then first prize at the Académie Internationale de Flaine. She subsequently joined Marianne Piketty’s class at the CNSMDL (National Conservatory of Music).

In 2021, the CNSMDL offered her her first opportunity to perform as a soloist in Prokofiev’s First Concerto at the Auditorium de Lyon, accompanied by the Conservatoire Orchestra conducted by Alexandre Bloch. Since then, she has regularly performed as a soloist with other orchestras, notably with the Echo Philharmonic Orchestra, with which she has performed Mendelssohn’s Second Concerto and the Beethoven Concerto.

Lilya has also been admitted to the Jaroussky Academy for the 2022/2023 academic year (Debussy class) and is studying with Nemanja Radulovic. She plays a Galen Hartley violin made in 2022 and is receiving an ADAMI scholarship.

Cellist Enguerrand Bontoux was drawn to chamber music at an early age; at the age of 16, he formed the Bellefeuille Quartet at the CRR de Boulogne-Bt, with which he performed at numerous festivals in France, Belgium, Italy, and at venues such as the Philharmonie de Paris. He then studied with Anne Gastinel at the CNSMDL, where he founded the Trio Parhélie, and obtained his Master’s degree in cello unanimously with honors.

He has performed as a soloist, notably in Beethoven’s Triple Konzert at the CNSMDL with the Parhélie Trio, and in Haydn’s C Concerto with the Colonne Orchestra (conducted by Christophe Coin). He also regularly shares the stage with Raphaël Pidoux and the Cello8 Octet at festivals such as La Folle Journée in Nantes, the Cello Biennäle in Amsterdam, and Les Invalides.

He has also been invited to perform at the Opéra de Lyon, the ONL de Lyon, and the Orchestre National d’Auvergne.

Enguerrand plays a Bernardel Père cello, loaned by the Rosoor family, through the Talents & Violon’celles endowment fund.

Ivan Foucher is a versatile pianist; A true Swiss Army knife, he studied orchestration, composition, analysis (and percussion!) at the CRR de Saint-Maur, where he unanimously received his advanced training award. He then joined the CNSMD de Lyon in David Selig’s class.

Alongside his activities with the Trio Parhélie, of which he was a founding member, he met soprano Yara Kasti. They formed the DuOdyssée, which won awards at the international competitions of Mélodie de Gordes and Mélodie Française de Toulouse. The critically acclaimed duo has been invited to numerous festivals in France, such as Les musicales du lubéron, Présence compositrices, Les saisons de la voix, Jeune Talent, and in venues such as the Opéra de Clermont, the Petit Palais, the Opéra de Massy (recital with Karine Deshayes).

Furthermore, Ivan is also an orchestrator-arranger. In 2023, he made arrangements for the lyrical season of the CNSMD in Lyon, he also collaborated with the vocal ensemble EOS XXI, and made arrangements for the trio Parhélie.

Programme

1 L.V Beethoven, Sonate pour violon et piano n°5

2 Schumann, 3 romances pour violon et piano

3 Franck, Sonate pour violon et piano

4 Sarasate, Airs Bohémiens

Jodyline Gallavardin:

Unique and passionate, the young pianist Jodyline Gallavardin studied with Marie-Josèphe Jude and Hélène Bouchez at the Conservatoire National Supérieur de Musique et de Danse de Lyon before studying chamber music in 2017 in the classes of Franck Krawczyk and Dana Ciocarlie.
In June 2022, her first album, Lost Paradises, was released on the Scala Music label, directed by Rodolphe Bruneau-Boulmier and Jason Wiels. Her pronounced taste for atypical yet meaningful programs led her to create an album combining pieces by Cowell, Sibelius, Beach, Granados, Schubert-Liszt, Séverac, and Ravel.
The album was unanimously acclaimed by the press. It was selected by Pierre Gervasoni in Le Monde and by Qobuz, which awarded it a Qobuzissime. He received a Choc Classica and 5 diapasons in Diapason Magazine. Jodyline has been invited to numerous festivals such as the Radiofrance Festival, the Folle Journée de Nantes, the Pianissimes, the Menton Festival, as well as abroad (among others, she will tour as a soloist in Brazil in 2022 and will be invited to Angola in 2024). She is a Laureate of the Banque Populaire Foundation and received the Musical Revelation of the Year Award 2023 from the Syndicat de la Critique at the Philharmonie de Paris.

Camille Théveneau

A violinist passionate about the intersection of disciplines, Camille Théveneau regularly performs in prestigious venues such as the Château de Lourmarin, the Abbaye d’Auberive, the Bourdelle Museum in Paris, as well as at renowned festivals such as Les Étoiles du Classique, Auvers-sur-Oise, Senliszt, etc.
A winner of several international competitions, including the Georges Cziffra, Henri Vieuxtemps, and Marie Cantagrill competitions, she stands out for her sensitive and committed playing. She cultivates a particular affection for chamber music, which she shares with great musicians such as Gautier Capuçon, Edgar Moreau, and Henri Demarquette. She has also played in a duo for several years, notably with her sister Adèle (cellist), and with pianist Florent Ling. Camille is also developing cross-disciplinary projects combining music, theater, and visual arts, such as Le Carnaval de Toumaï, Kafka dans les Villes, Orphée Miniature, and Prolégomènes Dumky.
Trained at the Conservatoire National Supérieur de Musique et de Danse de Paris and then at the Universität der Künste de Berlin, she recently continued her studies with Janine Jansen at the Haute École de Musique de Sion (Vallais-Wallis). She has also received valuable guidance from Renaud Capuçon, Baiba Skride, Lisa Batiashvili, and Ivry Gitlis.
In 2024, she founded the Sido&Co collective, a multipurpose space for artistic encounters, whose first festival will be held in November 2025 in the 10th arrondissement of Paris.

Annulé (Plus de visa Administration Trump)

Programme :

Maurice Ravel

Jeux d’eau

Le Tombeau de Couperin

Prélude     Fugue     Forlane     Rigaudon     Menuet    Toccata

Entracte

Frederic Chopin   

Four Impromptus

No.1 in A-flat major, Op. 29        No. 2 in F-sharp major, Op. 36

No. 3 in G-flat major, Op. 51       Fantaisie Impromptu, Op. 66

Two Waltzes

D-flat major, Op. 70 No. 3            A-flat major, Op. 64 No. 3

Two Rondos

Rondo a la mazur in F major, Op. 5          Rondo in C major, Op. 73

B i o g r a p h y

Chinese Pianist Junwen Liang stands as a preeminent classical pianist, lauded for his « captivating » (Stroll Magazine) performances and recognized as « an extremely gifted and promising young artist » by the New York Concert Review. Originally from Nanning, China, Junwen embarked on his piano journey at the age of 9, unveiling his prodigious talent with a solo debut at 13.

In recent years, Junwen has graced distinguished venues across the United States, leaving an indelible mark on the classical music landscape. His performances have resonated in renowned venues such as Cohen Family Studio Theater, Robert J. Werner Recital Hall in Cincinnati, Weill Recital Hall at Carnegie Hall, and the Academy of Music at the Kimmel Center for the Performing Arts in Philadelphia. Notably, he has collaborated as a soloist with orchestras including the Central Texas Philharmonic, Penn State Philharmonic Orchestra, and Ithaca College Symphonic Orchestra. Junwen’s interpretation of Prokofiev Piano Concerto No. 3 with the Ithaca College Symphony Orchestra received acclaim, reaching the public through broadcast on WSKG radio in New York State. His artistry was further acknowledged with an invitation to present a solo performance on WRTI Classical Radio in Philadelphia in August 2022.

​In the 2022-23 Season, Junwen’s exceptional artistry shone through in performances at Lake Barcroft Concerts, the Tuesday Concert Series in Washington, DC, the Sunday Recital Series at Saint Thomas in New York, and the Trinity Concert Series. His upcoming debut in concert series across North America, including engagements at the Arts Club of Washington, Concerts at Valley Cottage, WIYAMS @ Georgetown University, and the Sevenars Music Festival. Underscore the anticipation surrounding his stellar career, with more concerts to be announced soon.

​Junwen’s commitment to musical excellence is also exemplified by his participation in prestigious music festivals, including Texas State International Piano Festival, Lunigiana International Music Festival, The Leon Fleshier Academy, Art of the Piano at CCM, Atlantic Music Festival, Aspen Music Festival, Orford Musique, and Philadelphia Young Pianists’ Academy. He has worked with famous pedagogues and concert pianists including Piotr Paleczny, Stanislav Ioudenitch, Gary Graffman, Jerome Lowenthal, Ching-Yun Hu, Andre Laplante, Yoheved Kaplinsky, Vladimir Feltsman, Robert McDonald, Ursula Oppens, Jeremy Denk, and more.

​A recipient of numerous awards, Junwen’s trajectory began with victories in esteemed competitions in China at the age of 12. This journey continued globally with triumphs in the New York International Piano Competition, Naftzger Young Artist Competition, Chopin International Piano Competition in Hartford, Juliusz Zarębski International Music Competition (Poland), and WPTA Spain. Notably, he secured first prizes in the Crescendo International Music Competition, Nouvelles Etoiles International Music Competition (France), The Princeton Festival International Piano Competition, YMIC International Music Competition, Philadelphia International Piano Competition, and The American Prize. In Spring 2019, Junwen’s achievements were crowned with the exclusive Spencer Merit Award at the National Society of Arts & Letters in Bloomington, an honor given to only one pianist that year.

​In addition to his solo career, Junwen extends his musical talents engaging as a collaborative pianist with professional instrumentalists and singers in the thriving music scenes of Philadelphia, Washington, D.C., and Baltimore County, Maryland. Recognized for his exceptional collaborative skills, he was honored with the title of « Outstanding Collaborative Pianist » at the Peabody Institute and featured in their esteemed Noon:30 Concert Series. Furthermore, Junwen’s collaborative ventures led to his participation in a piano quintet, coached by Michael Kannen, director of Peabody’s Chamber Music Program. The quintet’s outstanding artistry earned them the distinction of being the only chamber group from Peabody selected to perform at Carnegie Hall’s Master Class Series, offering a unique opportunity to collaborate with Ludwig Quandt, principal cellist of the Berliner Philharmoniker.

​Junwen is now completing a Graduate Performance Diploma at the Peabody Institute of Johns Hopkins University, under the tutelage of Richard Goode. His past mentors include Christopher Guzman (Penn State), Roberto Plano, Edward Auer (Indiana University), and Charis Dimaras (Ithaca College).

Junwen is represented worldwide by Price Attractions.

Program :

American pianist Ariela Bohrod grew up in Madison, Wisconsin, and began piano studies at the age of four. She made her solo debut with the Madison Symphony Orchestra at twelve and has performed publicly since childhood. A graduate of the Interlochen Arts Academy, where she studied with Dr. Thomas Lymenstull, she went on to earn both her Bachelor and Master of Music degrees in Piano Performance from the Mannes School of Music at The New School, studying under Pavlina Dokovska on a full-tuition merit scholarship.

Ariela is the recipient of numerous awards, including the Steinway Award, Joseph Fidelman Memorial Award, Presser Scholar Award for musical and academic excellence, Marina Bondarenko Memorial Prize at the Tel-Hai Festival in Israel, and the Prix du Directeur at the Fontainebleau School in France. In 2025, she was named a winner of the Pro Musicis International Award and will make her recital debut at Salle Cortot during the 2026–27 season. She is also a Harriet Hale Woolley Scholar (2024–25) and a Resident Artist at the Fondation des États-Unis in Paris, where she is pursuing an Artist Diploma at the École Normale de Musique de Paris Alfred Cortot with Suzana Bartal.

Ariela has performed widely across Europe, Asia, and the United States, appearing in venues such as Carnegie Hall’s Weill Recital Hall and Stern Auditorium, the Museum of Jewish Heritage in New York City, the Tel Aviv Museum of Art, the Gilmore International Piano Festival, and the Detroit Symphony Orchestra’s Beethoven Festival. Her performances have been featured on NPR’s From the Top, WQXR’s Young Artists Showcase, Detroit Public Radio, Interlochen Public Radio, and Wisconsin Public Radio.

Specializing in repertoire written between the early twentieth century and today, Ariela creates programs that form poetic and narrative links between works and eras. An active collaborator and educator, she has served on the accompaniment and teaching faculties of several New York music schools, where she is committed to sharing music with students of all generations and backgrounds. She is also music director and pianist for Lavender Songs, a stage production created and performed by Jeremy Lawrence, recently featured in Carnegie Hall’s Celebration of Weimar.

Her artistry is guided by a belief that music should transcend barriers—a philosophy reflected in her ongoing collaborations with composers and her dedication to performing works by underrepresented and living artists. Outside of music, Ariela enjoys reading, writing, and hiking.