Concert by AVA CORSICA @ Pôle d'Animation Culturelle
Jul 26 @ 21 h 00 min – 22 h 45 min

Ava Group, corsican polyphony

Smiley face

Their friendship started one night in 2002 around a table when they mixed their voices to sing about life before, after and now : AVA, their group was born.
Do we really need to further introduce these singers and musicians !
Best friends in life, some of them have been present on the Island scene for over 20 years.
This explains why they perfectly master voices harmony and tunes during their concerts.
Old polyphonies, creations of the group and covers of old corsican songs still living in people memory are equally part of their art.
With their innate corsican soul in body and heart, during a deeply emotional and passionate concert, they are able to bring us to the roots of the corsican identity, the history of a people and its land.

Avà chante cela, Avà chante la vie. This history is an eternal tale of love, death or religion. Ava sings all this, Ava sings life.
Ava sings traditional music with instruments respecting both various trends and the original spirit.
Their music is a mixture of guitars, saz, violin, charangos, flutes, cetera, cajon or double bass provoking an amazing hang drum.

During their recital, Ava group singers put the human being in the core of their musical venture.
Attending an Ava concert brings you more than pleasure ; it’s a special and deep rooted pleasure, as if Corsica was right there in front of you : now boarding !

Martin COUSIN piano recital @ Pôle d'Animation Culturelle
Sep 15 @ 17 h 00 min – 19 h 00 min

Program :

Rachmaninov  – Variations on a theme by Chopin Op.22 (22 mins)

Prokofiev – Sonata no.7 Op. 83 (18 mins)


Liadov – Variations on a Polish Theme Op.51 (12 mins)
Liszt – Sonata S.178 (34 mins)

Martin Cousin is now regarded as one of the most exceptional pianists of his generation, having been awarded lst prize at the 2005 Ettore Pozzoli International Piano Competition (Seregno, Italy) and Gold Medal at the 2003 Royal Over-Seas League Music Competition (London).

Martin has appeared regularly in the major British musical venues since

graduating from the Royal College of Music, making his London solo debut at the Purcell Room in 1998. Numerous solo recitals followed, most notably at the Wigmore Hall in 2001, 2005, and 2011 and he has appeared as concerto soloist with the London Philharmonie, Halle, Royal Philharmonie, Philhannonia and BBC Concert Orchestras.

Performances further afield have included tours of New Zealand, Italy, the US and concerts in Stockholm, Brussels, Toronto, Berne and The Hague.

2006 saw the release of his debut CD, Rachmaninov’s Sonata No.1 and

Morceaux de Salon with SOMM Recordings, which was selected as Classical CD of the week by the Daily Telegraph.

The US magazine Fanfare added, “This is the performance of the lst Sonata that I have always heard in my head but never thought I’d actually get to hear with my ears. This guy’s the Real Deal!”

His second CD for SOMM, featuring Glazunov’s piano sonatas, was released in 2010 to great acclaim, with Gramophone stating that the new release is ‘in every way, an impressive dise.’

His latest dise of Rachmaninov’s Etudes-Tableaux was released in 2014 and

was proclaimed ‘a landmark recording’ by the Observer with a 5-star review. Classical Source added, ‘This is one of the best solo piano records I have heard for a very long lime — the more so considering it faces some pretty severe competition in the catalogues. Those who do not know these extraordinarily original masterpieces are strongly advised to =luire this dise. There is none better’.

Fanfare Magazine proclaimed, `Based on the pre sent dise and on the towering performance of the First Sonata on his debut CD, I am prepared to state that Cousin is among the most distinguished Rachmaninoff pianists of our generation.’

Martin is also a member of the Aquinas Piano Trio and chamber music has taken him to places such as Prague, Tokyo, Indonesia, Thailand, Zimbabwe and Barbados.

Martin’s hands were featured on the big screen in the Oscar-winning film “Shine”, for the scenes involving Rachmaninov’s 3rd Concerto.

Martin’s teaching experience spans over 20 years and covers areas as diverse as masterclasses in Thailand, Indonesia and Norway, piano teaching and chamber music coaching for the RCMJD and piano teaching posts at the London Oratory School, Cardinal Vaughan Memorial School and Trinity School.

He is also in demand as an adjudicator and recent engagements have included the Royal Over-Seas League Music Competition and the Chappell Piano Prize at the RCM.

The Musical Union of bergerac at the Paleyrac greenery theatre @ Paleyrac greenery theatre
Sep 29 @ 17 h 00 min – 18 h 45 min

Program :

Winds on fire  / Bert Appermon

Casta diva ( Norma) / V.Bellini arr. W.Hautvast

Les Demoiselles de Rochefort  / M.Legrand  arr. J;Brouquières

Johnny Halliday – principaux thèmes pour Orchestre d’Harmonie  arr. J;Naulay

Aznavour Medley ( “les plaisirs démodés”, “La Bohème”, ..) arr.R.Fienga

Starmania M.Berger  arr.J.Naulay

Signé Gainsbourg arr; P.Poutoire  ( Poupée de cire, Elisa, Couleur café,harley Davidson .)

The Blues Brothers revue  -Medley arr.J.Bocook

The Union Musicale Bergeracoise, the harmony orchestra of Bergerac in the Dordogne, Périgord, open to amateur or professional musicians wishing to play together.

About the UMB
Association gathering musicians wishing to play together. They are a very close-knit group of all ages. They practice their art with wind, woodwind and brass instruments, punctuated by percussion. The program is very eclectic and adapts to the choice of musicians and the taste of our enthusiastic spectators.

The Union Musicale Bergeracoise was created in March 2003. From 18 musicians at the beginning we reach 45 in 2012. In 2019, we have 70 musicians

A partnership contract is signed each year between the City of Bergerac and the UMB. In exchange for participating in all official events, such as the New Year’s Concert and the Fête de la Musique, the orchestra is hosted by Salle Baricotte in Bergerac (rehearsal room) and receives financial support in the form of a grant.

For 9 years, Francis Célerier was its Artistic Director. In March 2012, he was replaced by Jean-Jack Chaumont. Since October 2012 Aurélien Cescousse with the help of Luc Dumaine has been conducting our orchestra.

BELLEFEUILLE String quartet @ Pôle d'Animation Culturelle
Oct 5 @ 17 h 00 min – 18 h 30 min

Sophie Guille des Buttes et David Forest violins,

Hervé Blandinières viola,

Enguerrand Bontoux cello


Program :

Mozart  «La chasse » KV 458

Mendelssohn  op.44 n°1 quartet

Quatuor de Ravel

In 2015, four young musicians of the Regional Conservatory of Boulogne-Billancourt –
located at 22 rue de la Bellefeuille, founded the Bellefeuille Quartet as a tribute to their meeting place.
They entered the chamber music class of Aline Bartissol and in 2016 obtained the string quartet DEM (end of studies) with the congratulations of the jury. In this partnership, they found the ideal balance between personal expression and group strength.
The foursome separated in 2017 because of geographical distance: two members
were admitted to the National Conservatory of Music of Paris while the other two were admitted to that of Lyon.
After a few adventures, the quartet met again at the Flaine 2018 workshop and decided to continue the venture. The ensemble worked with Yovan Markovitch, Jean Sulem and Xavier Gagnepain, and then joined the class of Luc-Marie Aguera at the Paris Regional Conservatory.
Since then, the Bellefeuille Quartet has regularly performed on national stages. At
Clamart, it played excerpts from Such is the Night during a tribute to Henri Dutilleux.
At the Regional Conservatory of Boulogne-Billancourt, it interpreted the “Sunrise” of Haydn. It was invited to play Borodin’s second quartet at the Festival Musique in Flaine and the Op.18 quartet n ° 4 at the Beethoven Festival of the Paris Conservatoire. The
Philharmonic Orchestra of Paris invited them to play “La Chasse” by Mozart as a prelude to concerts of the Orchestre de Paris.

The group enriched and diversified its repertoire by interpreting Bartok, Schumann and Ravel. In 2019, the Bellefeuille quartet joined Le Dimore del Quartetto.

Baroque trio : harpsichord, baroque violin, cello @ Pôle d'Animation Culturelle
Oct 27 @ 16 h 00 min – 17 h 30 min

Florian Verhaegen violon ; Jean-Lou Loger violoncelle ; Clémence Hoyrup clavecin


The Essor of instrumental music in the seventeenth century ” Composed of Italian works (Frescobaldi, Castello, etc …), English (Playford, Byrd, etc …) and French (Louis Couperin, Lully, etc. …)”

Louisa STAPLES (4th place winner of the 2018 Long, Thibaud, Crespin internatinal competition) violin, Katie MORGAN piano
Nov 17 @ 16 h 00 min – 18 h 00 min

Program :

Mozart sonata for piano and violin K.304 in e minor

Poulenc- violin sonata FP119


Prokofiev- violin sonata no.1 in F minor op.80

Ravel- Tzigane



Hailed „ A passionate authority, a communicative sensitivity and a sound of luxurious depth; here is a young woman we have not finished hearing about“ (Bachtrack 2018), Berlin-based British violinist Louisa Staples has already performed in some of the world’s most prestigious concert venues including the Southbank Centre, Cadogan Hall, L’Auditorium de Radio France, Forbidden City Concert Hall and the Roundhouse.

Louisa is recently a major prize winner in competitions including the Long-Thibaud-Crespin International Competition and the Carl Flesch International Competition,where she was awarded three additional prizes.

Recent highlights include performances of the Tchaikovsky violin concerto and Bernstein’s Serenade in St.John`s, London, a concert series as soloist with the Brandenburg Symphony Orchestra, invitations to festivals including the Menuhin Festival Gstaad, Schiermonnikoogfestival and the Harrogate International Music Festival in addition to numerous solo recitals across Europe.

Louisa has undertaken masterclasses with eminent musicians including Philippe Graffin, Zakhar Bron, Rainer Schmidt, György Pauk and Robert Levin and performed with orchestras including the City of London Sinfonia, Brandenburg Symphony Orchestra, Savaria Symphony Orchestra, London International Orchestra, Orchestre national des Pays de la Loire and the Orion Orchestra.

She has given numerous live radio broadcasts on channels such as BBC Radio 3, RBB Kulturadio and France Musique.

An avid chamber musician, Louisa has recently given performances of chamber works in venues including London’s Wigmore Hall, the Mendelsohn Remise and the Concertgebouw in Amsterdam. She is also the joint Artistic Director of the Alderney Chamber Music Festival- an annual festival which celebrates and brings together some of the world’s most promising young musicians.

From 2008-2017 Louisa was a student of the Yehudi Menuhin School where she was a student of Professor Natasha Boyarsky, she is currently a pursuing her bachelors degree at the Hochschule für Musik „Hanns Eisler“ in Berlin, in the class of Professor Antje Weithaas.

Louisa performs on an 1815 violin by Gofriller and a bow by D.Peccatte, Kindly loaned by Jane Ng and Matthew Coltman.

Katie Yao Morgan – biography

Katie Yao Morgan was born in Crawley to British and Chinese parents and

began to play the piano when she was four years old. In 2010 she won the

ABRSM Sheila Mossman Memorial Prize for her high mark in Grade 8

piano exam and additionally received a Gold Award in 2011.

In 2010 she entered the Yehudi Menuhin School, where she studied

regularly with Marcel Baudet. In 2011 she won second prize in Category B

(12-16) section of the Pianist of the North Competition, and in 2014 she

was awarded ‘Mention of Honour’ in the International Piano Competition

in Enschede, Holland. In 2016, she was awarded Diplôme de JEUNE

ESPOIR in the 10th Adilia Alieva Competition held in Annemasse, France.

Katie has performed at The Wimbledon Festival and several private

venues; in 2013 she performed Mozart’s Concerto KV449 with the

Menuhin School Orchestra, and in September 2014 two performances of

Chopin’s Piano Concerto No.2 with a chamber ensemble. In spring 2015

she toured the Southwest of England, performing in Bridport and

Dartmouth, and later in Scotland, including New Lanark, Edinburgh and

Blair Atholl. In 2016 she performed Schumann’s Piano Concerto in A

minor with the Dorking Chamber Orchestra and in 2017 with the Mihail

Jora” di Bacau OrchestraFilarmonica in Cantu, Italy.

She has taken part in summer courses at Tignes, France and Blonay,

Switzerland with teachers including Marcel Baudet, Edith Fischer and

Jorge Pepi-Alos. She has also received masterclasses from Ronan O’Hora,

Idil Biret, Dominique Merlet, Dmitri Alexeev and Ronald Brautigam. She

has performed with duos at the Wigmore Hall.

Katie is a member of ‘Trio Pantoum’ with SongHa Choi (violin) and

Maxim Calver (cello). The trio won 1st prize in the Intercollegiate Piano

Trio Society Competition held in Birmingham Conservatoire in 2018. In

February they toured The Netherlands, performing in a number of venues

including Akoesticum and the Conservatory in Amsterdam, also appearing

on Dutch radio Spiegelzaal.

From September 2018, Katie is continuing her musical studies at the

Amsterdam Conservatory with Frank Peters. She recently won 1st prize at

the Regional finals of the Princess Christina Concours in the Netherlands.

Voltersvick & Potenza 4 hands piano Duo @ Pôle d'Animation Culturelle
Dec 8 @ 16 h 00 min – 17 h 30 min

Program :

Masters from the East :  Russia & East – Europe

A. ARENSKY 12 Pièces pour 4 mains, Op. 60
     I Prelude
     IV Menuetto
     V Elegie
     VIII March

L. JANACEK In the mists
I Andante

A. SCRIABIN  (1871 – 1915)
Fantasy B minor, Op.28 (1900)

Má Vlast: Vltava (The Moldau) Allegro commodo, non agitato


A. DVORAK  Danses slaves, Op.72

No 2 in E minor: Allegretto grazioso
No.6 in B at: Moderato

No.7 in C Major: Presto

S. RACHMANINOV Six Morceaux Op.11

I Barcarolle: Moderato (G minor)

II Scherzo: Allegro (D major)

III Thème russe: Andantino cantabile (B minor)

IV Valse: Tempo di Valse (A major)
V Romance: Andante con anima (C minor)

VI Glory: Allegro moderato (C major)


The Norwegian pianist has been considered by the renown conductor Marios Papadopoulos, MBE Oxford Philharmonic, as a “pianist with great sensitivity and lovely tone (…) she has the touch to render the orchestral textures vividly and the technique to tackle the ferociously difficult piano writing with ease” and by pianist Gabriele Baldocci “a musician with a wonderful control of the instrument and innate sense of music.” ​

Oda has performed at important international venues including Carnegie Weill Recital Hall,“Palermo Classica” International Festival, Leipzig Town Hall, the 1st International Folk Music Festival in Beijing; concert societies throughout the UK such as Powderham Castle ‘New Generation Artist Series’, the Edinburgh Society of Musicians, Fitzwilliam Museum in Cambridge and Jacqueline du Pré Concert Hall in Oxford. Venues in London include Wigmore Hall, St Martin in the Fields, St James` s Piccadilly, Regent Hall, Blackheath Halls, 1901 Arts Club and Charlton House.

Her concert engagements in Norway include annual lunchtime concert for a week at Edvard Grieg’s home/museum in Bergen (2014- 2018) in addition to solo recitals, Oslo University Aula, Stavanger Cathedral, Lofoten Cathedral, Kabuso Concert Hall, opening concert during the Grieg Jubilee (2007), and regular concerts for the Bergen Chamber Music Society and the Grieg in Bergen International Series with solo and chamber music recitals (since 2010). She has performed concertos with the Sinfonietta of Athens and been invited twice to perform with the Norwegian–Polish Youth Orchestra.

In April 2016, her debut CD “Khoreia” was released in collaboration with the Italian pianist Giulio Potenza (Volt&Potenza Duo) for the label Velut Luna. Des Hutchinson at, May 2017: “I felt cosseted and highly entertained in their hands, not only with playing of the surest unison and harmony, but with the palpable joy and fun of their music-making(…)” Her solo CD “ Firebird” has been released in January 2019 with reviews such as: “Hats off to Oda Voltersvik for such well-considered programme for her debut recording as a solo pianist (…) a most auspicious start to a recording career that promises much for the future – and already delivers generously here.“ Martin Anderson, review.

She is a 1st prize winner of the Buono&Bradshaw competition with a performance in Carnegie Hall, May 2017. In 2016 Oda was a finalist in the Jaques Samuels Intercollegiate Competition in Wigmore Hall, London.

Oda is also project leader of the Volt Ensemble and the artistic director of the concert series Music in Movement. For her concert tours she has several times been rewarded funding by the Norwegian Arts Council, Music Norway, Fund for Norwegian performing artists and Bergen Municipality.

She holds a Master in Performance from the Royal College of Music and an Artist Diploma from Trinity Laban Conservatoire for Music and Dance with distinction from the Incollegiate Jury (London). Oda has participated in the Oxford Philharmonic Orchestra` s Piano Festival and Summer Academy (2006 – 2014), where she has played for renown musicians such as Menahem Pressler, Marios Papadopoulos, Gary Graffmann and Vladimir Krainev. From 2005 to 2008, Oda was selected for the `Young Musicians Talent Programme` at the Grieg Academy, University of Bergen.

Giulio Potenza (°1990) started the piano at the age of six and has since then established himself as a respected concert pianist, teaching and performing extensively across Europe.


Giulio Potenza has studied with professors Gabriele Baldocci, Pascal Rogè, Denize Gelenbe and Mikhail Kazakevich (Trinity Laban Conservatory, 2012-2015), and Bruno Canino (Milan, 2009-2010). He has attended piano and chamber music master classes and lessons held by eminent professors such as Andrzej Jasiński, Franco Scala, Martino Tirimo, Barry Snyder, Irina Chukovskaya, Martin Kasik, Andrei Gavrilov, Pascal Rogè, Christopher Richter, Irene Inzerillo, Riccardo Risaliti, Wihan Quartet, Magini Quartet. He holds Postgraduate and Artist Postgraduate Diplomas from the Trinity Laban Conservatory and a Bachelor in History from University of Palermo. He completed his undergraduate music studies at the conservatory of Trapani (Italy) under professor Walter Roccaro.


He has performed throughout the world including United States, Asia, Spain, France, U.K., Swiss, Norway, Switzerland, Malta, Belgium, Holland and invited to play at prestigious international festivals and venues including Martha Argerich’s Lugano Project of Lugano 2015, the Bangkok Piano Festival, Lofoten Chamber Music Festival, the Palermo Classica International Music Festival of Palermo, Festival dei Due Mondi of Spoleto, the Hammerklavier International Piano Series of Barcellona,Vacheres Summer Festival, the Bolzano Piano Festival, the Grieg in Bergen International Festival of Bergen, the Fringe Festival of Edinburgh, the Hammamett Piano Festival of Tunis, the Carnegie Hall of New York, Siam Ratchada Auditorium and Martin Hall of Bangkok,  Filarmonica of Oviedo, St. Martin in the Fields, Steinway Hall, Conway Hall, St. John’s Smith Square, Balckheat Hall of London, Bridgwater Hall of Manchester, Cauchi Hall of Malta, Kabuso Auditorium in Øystese, Bernanos Auditorium of Paris, Theater aan de Parade in Holand, Casa della Musica of Arezzo, Bellinzona Theater of Lugano, Baldini Hall of Rome, Auditorium St. Stafano of Florence, Stavanger Chatedral of Stavanger, Massimo Theater (ONU Hall) of Palermo.

Giulio also performed for major music societies such as the Concordia Foundation in London, Arcades Musiques of Le Buisson de Cadouin, Sociedad Filarmonica de Oviedo, Maggio della Musica of Naples, Vanesborg Music Society of Vanesborg, Edinburgh Society of Musicians of Edinbhurgh.

As a soloist, he has performed with the Florence Symphonietta Orchestra, directed by Piero Bellugi, the University of London Symphony Orchestra, directed by Daniel Capp and the North Beds Orchestra directed by Jan Kaznowski.

He has collaborated with many renowned artists such as Jose Menor, Daniel Rivera, Gabriele Baldocci, Nicolas Dupont, Stefano Farulli, Zoe Freedman, Philip Martin.


In 2014, as a result of his interest for four hands/two pianos composition, Giulio started a collaboration with the Norvegian pianist Oda Voltersvik (Volt&Potenza Duo). The Duo’s debut CD “Χορεία”, including a commissioned contemporary work by the Irish composer P. Martin, was been released in April 2016 under the Velut Luna label.

In 2017 he has released a cd including the piano and violin repertoire of Leoš Janáček for Da Vinci Classic label.

His recitals and recordings have been broadcast by BBC Radio 3, Rai Radio 3, Radio Musiq3, Radio Breda Klassiek, Radio Klara, the Swiss Classical Radio, Radio Vaticana, and Rai National Television.


Giulio has won prizes at several important piano competitions including the Hanna Brooke prize for piano, for his excellence in the concert career at the Trinity Laban Conservatory; 2nd prize at the Bradshaw & Buono International Piano Competition of New York (2016); 1st prize at the Seiler International piano competition (2002); 1st Prize at the Stratford and East Concerto Competition of London (2015) ; 3rd Prize at the Geertruidenberg Klassiek International Music Competition in Netherland (2018); “Highly Commended Award” at the Jacques Samuel Piano Competition of London (2012).
Giulio was also selected by London’s Concordia Foundation as participant to the Young Artists Programme.


He is professor of piano at the Conservatory of Music “A. Scontrino” of Trapani and at the Windsor Piano Academy and regularly gives master classes in the UK and abroad. Furthermore, is the artistic director of the Windsor International Piano Competition and of the Windsor Piano Festival.


“[…] I felt cosseted and highly entertained in their hands, not only with playing of the surest unison and harmony, but with the palpable joy and fun of their music-making […] ”

Des Hutchinson,, May 2017

“Giulio Potenza and Oda Voltersvik have a great amalgam, the sound is always defined and mellow, and playing styles are well differentiated between the various eras. The finals are always very light, and the interpretative choices are never predictable. There is a nice pearly touch and perfect diction of trills that feature in Bach”

The Volt & Potenza Duo is a first prizewinner of the Bradshaw & Buono international piano competition 2017.

While studying at Trinity Laban Conservatory (London, 2014), pianists Giulio Potenza and Oda Voltersvik started a collaboration with the aim of developing their common interest for four hands and two pianos compositions.

The duo has performed at several important venues and music societies in the UK (St James’ s Piccadilly, St Martin in the Fields, Edinburgh Society of Musicians, Young Generation Artist`s Scheme at Powderham Castle) and at international venues and festivals including Carnegie Hall (Weill Recital Hall, New York), “Palermo Classica” International Festival, Edinburgh Fringe Festival, and the “Grieg in Bergen” Series.

Mark DROBINSKY cello and Marie-Martine BOLLMANN piano recital @ Pôle d'Animation Culturelle
Jan 12 @ 16 h 00 min – 17 h 30 min

 Suite n° 1 en sol majeur de JS.BACH,violoncelle solo

Sonate en la majeur “Arpegione” de f.SCHUBERT


 1ère Arabesque et l’Isle Joyeuse de C.Debussy,solo piano

Suite espagnole de Manuel de  Falla

Introduction et Polonaise opus 3 de F.Chopin

Mark Drobinsky was born in Baku, Russia, and studied with Mstislav Rostropovich at the Tchaikovsky Conservatory in Moscow. He received first prize at the Munich International Competition. He taught at the Gnessine Institute and left the USSR in 1974 to go to Israel before moving permanently to Paris.

Mark Drobinsky has been invited to the most prestigious festivals. Critics have hailed him as one of the masters of the cello. Although he has a strong influence on the classical repertoire, he is also passionate about the discovery of new works and is an ardent defender of 20th century music: H. Sauguet, H. Dutilleux, A. Schnittke, D. Milhaud, J. Dorfman. F. Kaufman, A. Rabinovitch, G. Zanon.

He has played with many famous musicians: Martha Argerich, Misha Majsky, Lilya Zilberstein, Patrice Fontanarosa, Dora Swarzberg, Bruno Giuranna, Alain Meunier, Renaud Capucon and conductors like Valery Gergiev, Mstislav Rostropovitch, Saulius Sondetskiss, Eduardo Moss, Dutoit, Alexandre Rabinovich, Dmitri Liss, Arjan Tien, Arnold Katz, Salvator Brotons, Maxime Schostakovitch, Marie-Martine Bollmann, etc. Since 2000, he has participated annually in the Martha Argerich Festival in Lugano (Switzerland) and performed at the Teatro Colon. in Buenos Aires in 2003. In 2009, he participated in the LUGANO-PARIS festival at La Salle Pleyel. In 2010, he performed at the “Mozarteum” festival in Salzburg, La Roque d’Antheron, the Pietrasanta festival, as well as the Savoy and Mediterranean Festivals.
He has given master classes in South Korea, Monaco, Sau Paulo, Mexico City, Buenos Aires, Japan, Bahamas, Johannesburg, Geneva, Siena, Portogruaro (Italy), etc.

After studying music at the Conservatoire National de Région de Musique de Bordeaux, Marie-Martine Bollmann obtained a concert degree at the Ecole Normale de Musique de Paris in 1982 in Serge Petitgirard’s class. She studied with Eliane Richepin, Catherine Collard and at the Accademia Chigiana in Siena, Italy, with Guido Agosti, at the Musikhochschule in Freiburg, Germany, with Vitaly Margulis and at the Mozarteum in Salzburg, Austria, with Germaine Mounier.

Soloist pianist and chamber musician, Marie-Martine Bollmann has been performing as a duo since 1997 with Russian cellist Mark Drobinsky, a former student of Mitislav Rostroprovitch, in various festivals in France, including the Pianos Folies festival in Le Touquet, at La Petite Malmaison, at the Charles de Gaulle Memorial (Colombey les deux Eglises), at the Musique au Cœur du Médoc festival in 2002 with Jacques Libouban, 1st solo flute of the ONBA, Jeudis Musicaux de Royan festival (Charente Maritime), Nuits Romanes festival (Poitou-Charente) at the Théatre de Cognac, Villeneuve-sur-Lot etc. Evenings in the castles of Bordeaux (Château Pichon-Longueville, Château Legay,…) as well as in Europe (Hurst Festival in England, Schaumburg Festspiel in Germany, tours in Italy) and recently for the Société Musicale de l’Ile Maurice.

She also plays with the internationally renowned Italian saxophonist and conductor Federico Mondelci, with violinist Liza Kerob, super soloist at the Monte-Carlo Philharmonic, as well as with the Fauré de Paris Quartet and solo musicians of the Orchestre National Bordeaux-Aquitaine, including Cécile Berry, 1st solo viola and Jacques Libouban, 1st solo flute, concerts and tours in France and Germany, Italy, Portugal, Morocco (Essaouira and Marrakech), United Arab Emirates (Dubai and Abu Dhabi), most recently at the Festival des Nuits Caraïbes in Guadeloupe, concerts at the Sofitel d’Essaouira, at the Royal Palm in Grand Baie (Mauritius).

She performed with the Alcan Quartet, a prestigious Canadian string quartet, in January 2016 as part of the Jean-Sébastien Bach Academy season at Le Bouscat (Bordeaux), where she was artistic director from 2013 to 2015. The Alcan Quartet has just received her in Quebec, Saguenay and Montreal.