Noriko OGAWA piano recital
Jan 13 @ 16 h 00 min – 17 h 30 min


Mozart : sonata N°11 in A maj K331

Debussy; Images Book I

Debussy; Estampes


Rentaro Taki; Grudge (one of the very first piano pieces ever written in Japan, 2 mins)

Yoshihiro Kanno;  A Particle of Water for piano and Myochin Hibashi Chopsticks (written for Noriko)

Chopin;  Waltz Brlliante Op.18

Chopin;  Andante Spianato and Grand Polonaise

Noriko Ogawa has achieved considerable renown throughout the world since her success at the Leeds International Piano Competition. Noriko’s “ravishingly poetic playing” (Telegraph) sets her apart from her contemporaries and acclaim for her complete Debussy series with BIS Records, confirms her as a fine Debussy specialist. Her Images Book I and II were chosen as the top recommendation ‘exquisite delicacy’, BBC Radio 3’s CD Review, January 2014. Noriko’s latest recording for BIS records is of solo piano music by Eric Satie.

Noriko appears with all the major European, Japanese and US orchestras including the Polish National Radio Symphony Orchestra, Tchaikovsky Symphony Orchestra of Moscow Radio, BBC Philharmonic Orchestra, Czech National Symphony Orchestra, St. Petersburg Symphony Orchestra, as well as the BBC Symphony Orchestra for the world premiere of Richard Dubugnon’s Piano Concerto. Noriko made her BBC Proms debut in August 2013 and appeared again in 2014 with the Endymion Ensemble. She was the Artistic Director for the Reflections on Debussy Festival 2012 at Bridgewater Hall. In 2015 she continued as Associate Artist for Ravel and Rachmaninov Festival.

As a recitalist and chamber musician, with her piano duet partner Kathryn Stott, Noriko has performed Malcolm Arnold’s Concerto for Two Pianos at the 2013 BBC Proms.

Noriko regularly judges the BBC Young Musician, Munich International Piano Competition, Honens International Piano Competition and the Scottish International Piano Competition. Noriko has been appointed as Chairperson of the Jury for Japan’s prestigious 10th Hamamatsu International Piano Competition in 2018.

Noriko’s Japanese translation of Susan Tomes’s book Out of Silence – a pianist’s yearbook has been reprinted due to popular demand.

Noriko is passionate about charity work, after the tsunami in Japan in 2011, she has raised over £40,000 for the British Red Cross Japan Tsunami Fund. Noriko founded Jamie’s Concerts a series for autistic children and parents and is a Cultural Ambassador for the National Autistic Society.

Noriko is a professor at Guildhall School of Music and Drama.

GALLIEN trio : piano, violin, cello @ Pôle d'Animation Culturelle
Feb 3 @ 16 h 00 min – 18 h 00 min

In just a few months, the Gallien Trio has established itself on the international scene as one of the most promising ensembles of its generation, winning the third prize of the prestigious “Franz Schubert und die Musik der Moderne” International Competition in Graz in Austria in February 2018, followed in September of the same year by the first prize and the special public prize at the “Gaetano Zinetti” International Competition in Verona, Italy.
Composed of Aurélienne Brauner, Tristan Liehr, both First Soloists in the Bordeaux Aquitaine National Orchestra, and Emmanuel Christien, concert pianist and chamber musician, the trio was formed in the city of Bordeaux when these three young and talented musicians met,  bringing together their shared passion for chamber music in general, and for the exceptional and inexhaustible trio repertoire with piano in particular.
The Gallien Trio, whose repertoire is very eclectic covers almost three centuries, from Haydn, Schubert, Beethoven, Mendelssohn to contemporary works by Takemitsu, Mantovani, not to mention French music with Ravel or Chausson, performs regularly in music halls throughout France and Europe. 

The Trio Gallien is underwritten by the Association Les Amis de l’ensemble Gallien.

Haydn : trio n°43 Hob.XV.27 in C maj
Beethoven : Trio in C minor
Mendelssohn :Trio N°1 in D min op 49

Aurélienne Brauner has been cello-solo of the Bordeaux-Aquitaine orchestra since 2014.
Aurélienne began the cello with Paul Rousseau then continued her training at CRR Bordeaux in the class of Etienne Péclard. She then joined the CNSM in Paris in the class of Philippe Muller where she received unanimous suma cum laude awards for cello and chamber music along with the Feydeau de Brou Saint-Paul scholarship. She went on to study at the Universität der Künste Berlin with Jens-Peter Maintz.
Winner of an interpretive prize at the Lutoslawski competition, she is supported by the Société Générale Musical Mécénat and the Meyer Foundation, thus enabling her to produce a “Young Soloists” CD dedicated to solo cello works of the 20th century.
Aurélienne has performed in New York, Kyoto, Santander, Verbier, Berlin, La Roque d’Anthéron, the Cité de la Musique, the Théâtre du Châtelet, the Palais des Beaux-Arts in Brussels, Theater of Tunis, Salle Cortot, Annecy National Theater, Aix-en-Provence Grand Theater, Grimaldi Forum in Monaco, Tchaikovsky Conservatory in Moscow. She was also the guest of Gaëlle Le Gallic on France Musique and “Découverte” of the magazine Classica-Répertoire.
In 2009, she received the Del Duca Foundation prize awarded by the Academy of Fine Arts to reward the beginning of her musical career and is laureate of the Vocation Foundation (“President of the Republic Promotion”). She was selected by the “International Holland Music Sessions for the “New Masters on Tour” tour in 2010-2011. She has also performed on Radio France as part of the “Generation Young Performers” concerts. She has been heard alongside Patrice Fontanarosa, David Grimal, Paul Katz, Svetlin Roussev, François Salque and Jean-Guihen Queyras …
In 2011, Aurélienne played as soloist with the Lille National Orchestra under the direction of Laurent Petitgirard and as soloist with the Baden-Baden Philharmonic Orchestra (Germany)  In 2012 she appeared in several festivals in France and abroad, notably in Sweden and at the Palazzetto Bru Zane in Venice with pianist Lorène de Ratuld.
 More recently, she toured Norway with the MinEnsemble and appeared in concerts in various festivals (Sinfonia in Périgord, Music in Tarn Valley, Vollore Concerts, Musician in Ouessant, Oslo Chamber Music Festival, Ravel Days in Montfort-l’Amaury, festival of Aix-en-Provence, Musical Flâneries of Reims).
 In 2015, she played with the ensemble intercontemporain at the Philharmonie de Paris and toured in the United States, as a soloist with the orchestra of Douai-Nord / Pas-de-Calais Region and recorded a CD dedicated to the works of David Monrad Johansen for SIMAX Classic in Norway which was nominated for the Norwegian Grammy 2016 (Spellemanprisen)
In 2017, she was heard in the Brahms double at the Bordeaux auditorium with the violinist Alexandra Soumm and in the Tchaikowsky Variations Rococo in 2018 with the Lyon Chamber Orchestra at the Salle Molière.
 Her recording of French sonatas “Twilight” in duet with pianist Lorène de Ratuld was released in April 2018 for the label Anima-Records.
Aurélienne also teaches cello and chamber music at Bordeaux’s Center for the Higher Education of Music.
Born in 1982, Emmanuel Christien joined Jacques Rouvier’s class at the National Conservatory of Music in Paris in 1999 and brilliantly won piano, chamber music and vocal accompaniment. He entered the developmental cycle in 2005. He is a laureate of the Alfred Rheinold Foundation which offers him a Blüthner piano.
As first prize winner in several international competitions (best interpretation of works of Brahms in the Casagrande Competition in Terni, Italy, and the Vlado Perlemuter European Competition), Emmanuel is invited to prestigious halls and festivals throughout the world – namely Saint-Denis, Folle day of Nantes, La Roque d’Anthéron, Montpellier Radio-France, the Pianissimes, Athenian, Chopin Bagatelle, Berlioz Festival, Pleyel Hall, Theater Champs-Elysees in Paris, in Europe, Japan, India, Canada, and Russia. 
Although a talented concert artist, accompanied by orchestras such as the Orchestre de Paris, the Montpellier Languedoc-Roussillon National Orchestra, the Caen Orchestra, the Moldavian Chamber Orchestra, Emmanuel does not neglect his passion for chamber music and regularly performs with artists such as David Fray, Bruno Monsaigeon, Adam Laloum, the Ardeo Quartet, Jean-Claude Pennetier and Dame Felicity Lott, as well as the Monsolo and Gallien Trio ensembles. 
He has recorded several cd’s, the most recent of which are dedicated to Schumann’s Fantaisestücke (Artie’s Records) to César Cui’s melodies (EnPhases) and Bach’s concertos for two, three and four pianos (Erato).
Appointed First Solo violin at the National Orchestra Bordeaux Aquitaine in 2015, after having been a member of the National Opera Orchestra of Lyon for two seasons, Tristan Liehr was passionate about the orchestra from an early age.
In 2011, he joined the prestigious Gustav Mahler Jugendorchester founded by Claudio Abbado, and then, eager to approach the contemporary repertoire, in 2013 he joined the orchestra of the Lucerne Festival Academy directed by Pierre Boulez.
Barely 25 years old, his experience is already considerable as he has had the opportunity to perform in numerous prestigious concert halls around the world (Concertgebouw in Amsterdam, Royal Albert Hall and Barbican Center Hall in London, Dresden Opera, Champs Elysees Theater in Paris, Grosses Festspielhaus Salzburg, KKL Lucerne, the Madrid Philharmonic, Vienna Musikverein, Megaron in Athens, Suntory Hall in Tokyo, Shirakawa Hall in Nagoya, Osaka Symphony Hall , …), under the direction of famous conductors (Sir Colin Davis, William Christie, Daniele Gatti, Emmanuel Krivine, …).
In parallel with his orchestral activities, Tristan Liehr also has a very rich chamber music career, and his performances earned him early recognition and praise from noted critics:
“A virtuoso with great control, Tristan Liehr plays with a very clean style and impressive composure”. – Anaclase website (2013)
He participates in many festivals (Messiaen, Vivoin, Mai musical, Byblos in Lebanon, …) and performs in different concert halls (Grand Théâtre de Bordeaux, Salle Dutilleux, Salle Molière in Lyon, Opéra de Lyon, …).
Although his training remains classical (five First Prizes at just 15 years old at the CRR in Saint-Maur in violin, chamber music, musical training, analysis, instrumental deciphering, as well as a writing diploma, then a Master’s degree with honors at the National Conservatory of Music of Lyon in the class of Vladimir Nemtanu and Kazimierz Olechowski), Tristan Liehr, always curious, is equally open to other styles of music. He records as a soloist, in chamber music ensembles, in composition for films, as accompanist for French and Québécois singers, as well as giving concerts of Yiddish music (notably at the Shoah Memorial in Paris). Most recently, he went to New Orleans (USA) where he participated as a member of a string quartet, recording a jazz cd with the famous musicians Evan Christopher, Herlin Riley, Aaron Diehl and Nicholas Payton.
Tristan Liehr plays a violin by Claude Pierray from 1716.


Camille THEVENEAU violin / Florent LING piano recital @ Pôle d'Animation Culturelle
Feb 24 @ 16 h 00 min – 17 h 45 min

Duo con Fuoco was formed at the end of a multidisciplinary project.
Graduates of the National Conservatory of Music of Paris, Camille Théveneau and Florent Ling are guided by a common desire to launch a dialogue of the arts, embarking on a dual artistic adventure.  Musicians and narrators in search of the illusory, they aim to merge the imaginary and the sensual in perfect balance.  As artistic accomplices, they take their sonatas on a new journey of curiosity and delight.

Programme :

Liszt, Ballade n°2

– G. Fauré, Sicilienne

– J. Brahms, sonata for violin and piano op.78 n°1 in G Maj


– Camille Saint-Saens, Danse Macabre

– G. Fauré, Après un Rêve

– F. Poulenc,

sonata for violin and piano – extrait-

Camille Théveneau comes from a family of musicians who urged her to begin studying the violin at the age of 6.  In 2013, the joined CNSM Lyon to study with Marianne Piketty.  During her studies under the Erasmus Program in Germany, Camille trained under the violinist Marina Chiche.  This relationship was critical to the approach to her repertoire.
Returning to France, she joined CNSM in Paris to earn a master’s degree, where she continued her career studying with Alexis Galpérine.  She graduated in June 2018.
In parallel studies, Camille perfected her technique with eminent talents such as Ivry Gitlis, Michael Martin, Baiba Skribes, and Miriam Fried, to refine her musical research.
Camille has flourished in working with various chamber music ensembles which have given her the opportunity to share the stage with renowned musicians such as Renaud Capuçon, Didier Lockwood, Michel Lethiec, Christian Altenburger, Hartmut Rohde and Michel Dalberto.
Camille is a laureate of the International Awards CIM of Val d’Isère, Leopold Bellan, Flame, Arthur Grumiaux and Marie Cantagrill, among others.
Miss Théveneau sees music an an expression of wonder, and she surrounds herself with artists from diverse backgrounds in order to enrich herself with multiple experiences.  She contributes notably to the show “Kafka in the Cities” on the music of Phillippe Hersant  created in March 2018 at the Comédie de Caen.  She also collaborates regularly with young actors of the CNSAD, underwritten by the Music and Wine Foundation of Clos Vougeot, benefitting from an instrumental loan.
Camille was part of the “Mozart” promotion within the Jaroussky Academy for the year 2017-2018, with the advice of Geneviève Laurenceau.
As soon as she returns to Paris, she will have the opportunity to perform at the Bourdelle Museum, the Montmartre Museum, the Saint Marcel Temple and the Bernarnos Auditorium.
Camille will make her debut in Asia in duet with piano, touring China, Taiwan and Macau.


Florent Ling was born in Paris in 1994.  He discovered the piano while he was very young when he began studying with Professor Bin Wang.
At the age of 18, he decided to pursue a musical career, and joined the CRR of Paris, as well as the Ecole Normale de Musique Cortot where he had the chance to study with pianists Romain Dercharmes, Erik Berchot, and Bruno Rigutto.
During these years, he participated in many master classes, especially with Bruno Rigutto, but also with Xu Zhong and Giovanni Bellucci.  He also played in several festivals, including the Lisztomania and the Musicales de Préfailles Festivals.
He is currently studying at the Conservatoire National Supérieur de Musique in Paris, under Hortense Cartier-Bresson and Fernando Rossano. He won his piploma with unanimous honors.
During the summer of 2017, Florent performed in Asia, presenting concerts in Taiwan, and performing and giving master classes at the Conservatorio de Macau.
In December of 2017, he won the First Prize at the Claude Bonneton International Piano Competition, as well as the Public Prize, the Best Modern Art Award, and the BestSupport Award.
Alongside his activities as a musician, Florent is also passionate about theater, and studies dramatic art at the Conservatoire du 9e arrondissement.

Students from the Pôle d’Enseignement Supérieur de la Musique de Bordeaux @ Pôle d'Animation Culturelle
Mar 17 @ 16 h 00 min – 17 h 30 min
Matias Tanneche :
-C. Debussy, Danseuses de Delphes, Canope, Tierces alternées, Bruyère, issu des préludes
-F. Liszt, Rakoczy March, issu des rapsodies Hongroises
-M. Ravel, Alborada del Gracioso, issu des miroirs
Mathilde Amorsi :
-Brahms, klavierstucke Op. 119
Intermezzo n°1
Intermezzo n°2
Intermezzo n°3
-Rachmanninov, prélude Op. 23 n°2 en Si bémol majeur.
Eva Lefebvre et Baptiste Guittet :
-Schumann, fantasiestucke Op 73 pour clarinette et piano.

After completing the conservatory of perpignan in the class of FM Rignol in 2013 at the age of 19, Matias Tanneche is received in the advanced course at the Conservatory of Saint-Maur des Fossés in the class of F. Rossano while being admitted in master-class with D. Pascal, professor at CNSM in Paris.
He is currently finishing his studies at the Pole of Higher Education of Music and Dance (PESMD) Bordeaux Aquitaine in the class of O. Chauzu parallel to his improvement in harmony in composition.

Mathilde Amorsi begins the piano at the age of 7 in a small village in the south of France near the pianiste Muriel Delli. At the age of 11 she entered the Montpellier Conservatory and studied with Sophie Grattard, thanks to whom Mathilde obtained her graduation diploma at the Piano Conservatory at the age of 17. The same year she is admitted to CNSMD Lyon … may be a little too early!
She will study piano for one year with Alain Planes and Svetlana Eganian. Currently Mathilde Amorsi continues her musical training in the PESMD in the class of Hervé N’kaoua.

Baptiste Guittet began playing the piano at the age of 7, but it was only later, at 16, that he joined the Conservatoire de Vannes in Fabrice Bourlet’s class, where he brilliantly obtained his DEM in 2015. He is now studying at PESMD in Hervé N’Kaoua’s class.
Curious, he is also passionate about the baroque repertoire and studies notably the harpsichord at the Bordeaux conservatory with Aurélien Delage and Kevin Manent where he gets his DEM in June 2018.

Eva Lefebvre trained at CRR Rennes and Paris where she obtained her DEM clarinet and bass clarinet. She wins among others the First Prize of the International Academy of Music of Flaine in 2016.
She is currently studying at PESMD.

Christine STEVENSON piano recital @ Pôle d'Animation Culturelle
Apr 7 @ 17 h 00 min – 19 h 00 min

Beethoven – Bagatelle Op 126 No 3 in E flat major

32 Variations on a Theme in C Minor WoO 80

Schumann – Romance in F sharp Major Op 28   No 2

Liszt – from the three books of Années de pèlerinage:

From Première année: Suisse

Au Lac du Wallenstadt

From Deuxième année: Italie

Il Penseroso,

From Troisième année

Les jeux d’eaux a la Villa d’Este

From Harmonies poétiques et religieuses



Chopin – The Four Scherzi

Scherzo No 1 in B Minor, Op 20

Scherzo No 2 in B flat Minor, Op 31

Scherzo No 3 in C sharp Minor, Op 39

Scherzo No 4 in E Major, Op 54

Christine Stevenson enjoys a distinguished career as a pianist throughout the UK and abroad. She is an Artistic Director of the annual Summer School for Pianists at Stowe where she gives recitals and masterclasses (visit for details), and is on the staff of the Junior Department of the Royal College of Music in London. She writes about piano music at

Recent engagements include recitals of music by Chopin and Paderewski given in London and at Highclere Castle (television’s ‘Downton Abbey’) to celebrate 100 years of Polish Independence, performances of music for Twenty Digits – piano duet and piano duo – featuring Gustav Holst’s own arrangement of ‘The Planets’ for two pianos, while future concerts include chamber music by Clara Schumann presented by LSO animateur Rachel Leach, and a return visit to France for recitals in the Dordogne region.

Christine’s recording credits include music by award-winning British composer Thomas Hewitt Jones, as well as the premiere CD recording of Alkan’s Rondo Brillant with members of the London Mozart Players. Her solo recording of Liszt’s ‘Années de Pèlerinage – II – Italie’ has been critically acclaimed.

Born in Melbourne, Christine graduated from the Victorian College of the Arts with distinction, being twice awarded the Gaitskell prize for the most outstanding student. She studied with pupils of Cortot, of Nadia Boulanger and of Michelangeli, and with the celebrated English pianist, Ronald Smith, also participating in masterclasses given by Sergei Dorensky, Aldo Ciccolini and Vlado Perlemuter.

Aurélie LIGEROT soprano / Simon ADDA-FREYSS piano recital @ Pôle d'Animation Culturelle
Apr 28 @ 17 h 00 min – 18 h 30 min

Program :



Critically acclaimed for The King of Hearts in Saint Etienne Opera, Aurélie Ligerot is distinguished by “A flexible phrasing, a luminous timbre, clear highs, and a dramatic sense and perfect gestures” (, March 2016 ). She performs in the major French houses such as the Théâtre du Capitole in Toulouse, The Opéra National de Bordeaux, the Opera companies of Avignon, Marseille and Toulon where she sings the tribute of honor in Macbeth and the high priestess in Verdi’s Aida, Anna Kennedy in Donizetti’s Maria Stuarda, Andreloun in Gounod’s Mireille, and Bianca in The Jano Rondine in Janaček’s Jenufa. Parallel to her studies at the Conservatoire de Bordeaux, the operatic company Opera Bastide has offered her principal roles, including Pamina in Die Zauberflöte, Fiordiligi in Mozart’s Cosi Fan Tutte, and Michaela in Carmen. Abroad, she sings Donizetti’s Love in Sarzana (Italy) and Violetta in Verdi’s La Traviata at the Hamburger Kammeroper (Germany), and recently Leïla in Bizet’s The Pearl Fishers at Opera Romana Craiova (Romania).


Her repertoire of sacred music includes Bach’s 140 and 150 cantatas, Zelenka’s Missa Votiva, Mendelssohn’s Symphony 2 “Lobgesang”, Rossini’s Small Mass, Carmina Burana by C. Orff and Poulenc’s Gloria. She has regularly performed with Antoine Chenuet, director of the program The Night Romance, and with the pianist François Henry in a work based on Théophile Gautier: Théophile Gautier, Muse of the Composers or One Does Not Trifle with the Melody, a program based on de Musset’s work with Jacques-François Loiseleur des Longchamps and Stéphanie Humeau. Her solo recital Désire[s] provides the beautiful part of the verist repertoire. This season, she takes on the role of Violeta in Traviata with the company Figaro Si Figaro Là. This recital will be on May 25 in a musical conference by Brigitte Durup on Verdi with tenor Olivier Trommenschlager.



Born in 1978, he began playing the piano at the age of 8. Admitted to the National Conservatory of Paris (CNR) in 1991, he entered the piano class of Pierre Réach and Marie-Louise Langlais organ. He works in parallel with Laurence Allix, renowned pedagogue. In 1993, he won the Ermend-Bonnal Prize of the first André Marchal International Organ Competition in Biarritz. In 1994 he attended the National Conservatory of Music (CNSM) in Paris, studying piano with Jean-François Heisser, and chamber music with Christian Ivaldi, and winning first prize in piano. He then took master classes with Rena Shereshevskaya in Colmar, while continuing his studies at the CNSM in Paris.

Simon Adda-Reyss has the privilege of receiving frequent advice from the master Olivier Messiaen. Both on the organ, on the piano and as a soloist or orator, he regularly performs in Paris (theater Châtelet, auditorium of the Musée d’Orsay, home of Radio France, etc), in the provinces, and abroad; notably in Moscow where he played in the grand hall of the Tchaikovsky Conservatory under the direction of Yuri Bashmet, and then in Japan, where he will perform again this year in Tokyo as part of the Ginza Chanel Chamber Music Festival. He was the accompanist of the singer Jane Rhodes. Recently, he played in the story of Babar F. Poulenc with actress Marie-Anne Chazel. Simon Adda-Reyss improvised the music of the modern series of drawings, broadcast on Canal + in 2000/2001. That same year, he was also chosen as piano accompanist by actor François Morel.

Always passionate about teaching and the transmission of knowledge, Simon Adda-Reyss holds the C.A., obtained under the supervision of the higher education of the National Conservatory of Music of Paris. In 2008, he was appointed Assistant Professor at the same school.

Simon Adda-Reyss also performs in partnership with the violinists Julien Dieudegard, Akiko Yamada and Nemanja Radulovic, the cellist Atsushi Sakai, and the singer Simon Edwards.

BACH cello suites by Nicolas HARTMANN @ Pôle d'Animation Culturelle
May 19 @ 17 h 00 min – 18 h 30 min

Program :

Cello suite N°5 in C minor


Cello suite N°3 in C major

Nicolas Hartmann studied cello with André Navarra and Philippe Müller at the CNSM in Paris where he won a first prize in cello and chamber music in 1981. He then perfected himself at the Geneva Conservatory in the class of Guy Fallot and obtained a virtuosity prize in 1983. He followed master classes with Pierre Fournier, János Starker and Boris Pergamenschikow. In 1986, he won the Maria Canals International Competition in Barcelona.

He successively became principal cello of the Musikkollegium Winterthur (from 1987 to 1988), of the Orchester des Pays de Savoie (1989 to 1992), of the Geneva Chamber Orchestra (1989 to 1991) and since 1992, he has held the position solo cello of the National Orchestra of Lyon.

He played as a soloist under the batons of Emmanuel Krivine, David Robertson, Tibor Varga, Franz Welser-Möst … Passionate about chamber music, he had as a partner Emmanuel Ax, Eric the Sage, Emmanuel Pahud, Renaud Capuçon, Boris Garlitsky, the Debussy quartet … He regularly participates in the Bombay festival and gives classes since 2003 in Yokohama as part of the Music Master Classes in Japan, directed by Alan Gilbert and Jennifer Gilbert. Attracted by the repertory on period instruments, he collaborated with Christophe Coin, Marcel Ponseele, Jan de Winne and participates since 2004 as solo cello at concerts of the Philharmonic Chamber with Emmanuel Krivine. He taught at Les Arcs (1996 to 2000), Gargilesse (2000 to 2005) and was an assistant professor at the CNSM Lyon from 1995 to 2000. Since 2001, he has supervised the cello desk at the French Youth Orchestra