Audrey Lonca-Alberto piano recital @ Pôle d'Animation Culturelle
Nov 11 @ 16 h 00 min – 18 h 00 min


– Robert Schumann, Carnaval op. 9
– Claude Debussy, Images (1er livre)
–                             Étude pour les tierces
– Frédéric  Chopin, Polonaise fantaisie op.61
–                             Nocturne op.55 n°2
–                             Valse op.42
–                             Surprise

Coming from a family of musicians, Audrey Lonca-Alberto was immersed from an early age in an artistic world. She began her musical studies at the age of five, first in the Dordogne, then at the Limoges CRR, where she graduated at the age of thirteen with a Diplôme d’Etudes Musicales, followed two years later by her prize for perfection.   At the age of seventeen, Audrey Lonca-Alberto had the chance to meet Erik Berchot and to benefit from his experience of concertizing and pedagogy in his class at the Ecole Normale de Musique in Paris, where she obtained her Higher Diploma in Music with the unanimous decision and congratulations of the jury.  In 2014, she received her Diploma in Concertizing.
Following these diplomas she was awarded several national and international competition prizes, such as the Donostia San Sebastian in which she was a winner at fifteen years of age.
She was also a recipient of of scholarships from several organizations, most notably the Académie Musicale de Val d’Isère, and even, in 2015, from the French American Piano Society which permitted her to be presented on the New York stage, and to perfect her talent among renowned pianists there.
She was further enriched by studies and advice from great piano musicians and teachers such as B. Rigutto, J. Rouvier, C. Désert, F-R Duchâble, P. Devoyon, M. Rudy, D. Rahmanov, J. Swann, and also from D. Erlih in the chamber music genre.
She recorded for Mezzo  (Musicians en herbe) and France Bleu.  From the age of thirteen she performed as soloist and in chamber music throughout France and abroad in various festivals such as  Jeune Talents, Sinfonia, Les Jeudis du Piano in Geneva, Lezard-en-Seine, Afimarte in Madrid, Musiques d’été au Château de Lourmarin, Musique en Valois, to name a few.
She also had the opportunity to play with orchestras – most notably,  at the age of twelve, performing Beethoven’s first piano concerto.  In 2013, she played Ravel’s piano concerto in G under the direction of B. Rossignol.  In 2017, she performed the Complete Works of Bach for two, three and four pianos under the direction of E. Berchot.
Audrey Lonca-Alberto is the winner of the Banque Populaire Foundation, and has just been chosen for the Manchester International Competition in Great Britain.

Ani HOVHANNISYAN violon / Serge PALOYAN piano duet
Dec 2 @ 16 h 00 min – 17 h 30 min

Program :

BACH  violon concerto en A minor (transcription pour violon et piano)

BEETHOVEN Sonata N°5 en F major op 24 “Spring”

SCHUBERT sonatine No.2 en A  minor, op.137



2013      Unite states Agency international développement « USAID »

I received a certificate from USAID which is a qualification for working with disabled children in schools and colleges that is headquartered in the USA

2012     Berlin  International festival  young  classical music.

2011      « Traveling Notes » International Music Festival – certificat of excellence

2010     Participation in Turkey  to Armenia Youth Symphony Orchestra

2009/2010  Master’s Degree of musical art instrument performance violon

from Erevan   Komitas  Conservatory – Arménie

2004/2009 – Diploma for violin instrumental performance Erevan   Komitas  Conservatory – Arménie

1994/2004 – Baccalauréat du collège Tchaïkovski


2011- 2013       Violon teacher  Collège de Arnaud Babajanian

2009- 2011         Organizer of Hrachuhi Jianyan Art School

2005 – 2013         Baroque Orchestra of Yerevan – Armenia

2005 – 2012        Erévan Orchestra soloist


Born in the Haute Vallée du Rhône in the city of Vienne where he still resides, Sarkis Paloyan pursued his musical studies at the Lyon Conservatory of Music, learning the bass trombone, the trumpet, the piano and the organ.
When he was fifteen years old, he went to a performance of Carmen, directed by Roberto Benzi.  For him this was a revelation, and he decided to become a conductor.
“Work is the best way to realize your dreams and to find your freedom.  Aim higher than the mountain in order to reach the summit,” said Sarkis’ Armenian grandfather, Abraham Arabian.
Putting this maxim into practice, Sarkis, known as Serge in French, became not only the well known conductor, Serge Paloyan, but also a highly original composer, sought after not only for his inventiveness but also for his purely refined sensitivity.
Today, Sarkis is professor of conducting at the Conservatoire à Rayonnement Régional de Lyon, and he directs the Youth Symphony Orchestra of Lyon, which brings together new talent from all over the world.  Meanwhile, his travels have taken him to Prague, Boston and Rochester in the USA, Kkrosno in Poland, and Lviv in the Ukraine, where he directed the National Orchestra.  As director, he established schools of music theory in Grigny, La Ciotat, Toulon, Sarkis won first prize at the Avignon International Competition for Musical Composition and of the SACEM (Society of Authors, Composers and Musical Editors).
Presently, Sarkis Paloyan divides his time between teaching, composing, and concertizing in France, Poland and Armenia.  But that is not all.  He is also building collaborations for future projects with lyric artists and concert instrumentalists.

Camille THEVENEAU violin / Florent LING piano recital
Dec 15 @ 10 h 02 min – 11 h 02 min


Program :

Brahms  sonat n°1 in G Maj

Poulenc sonata

Saint-Saëns : danse Macabre



Christmas concert with Caroline GY and Patrick HILLIARD : Offenbach and sacred music
Dec 22 @ 16 h 00 min – 17 h 15 min

1 Musique sacrée

– Domine Deus (A Vivaldi – Gloria)

– Laudate Dominum (WA Mozart – Vêpres solennelles d’un confesseur)

– Ave Maria

– Bereite dich Zion ( Bach / Oratorio de Noël)
– Erbarme dich ( Bach / Passion selon St Mathieu)

2 – Récital Offenbach / Opéra comique “ Chère Hélène !…”

 1 : Invocation à Vénus

 2 : Ah ! Que les hommes sont bêtes

 3 : Lettre de la Périchole

 4 : La Griserie

 5 : Amours divins

 6 : Ah ! Que j’aime les militaires

 7 : La déclaration

 8 : L’aveu

 Final : Barcarolle


Caroline Gy discovered music while studying piano and music theory, beginning with lessons from her mother, an excellent pianist, and later with private professors in Cannes.
Letting music drop to second place in order to pursue computer studies in college, she was not to resume music until 2004, at which point she began voice lessons with Bertrand Kovack in Avignon.
Her motivation and passion for music drove her to waste no more time, and from that moment she dedicated more and more of her time to the study of voice.
Caroline Gy moved to the Bordeaux region in January 2006, and began perfecting her technique with Lucette Brachet taking on French opera roles for mezzos such as Dalila, Carmen, Charlotte, and then adding to her repertoire with the Verdi roles of Azucena/Il Trovatore, Emilia/Otello, Fenena/Nabucco and Maddalena/Rigoletto.
She participates regularly with the master classes of Viorica Cortez.
She performs recitals in the operatic genres of French and Italian opera as well as French traditional melodies and German lieder (Strauss, Schubert, Brahms).
In 2011, Caroline Gy was invited to Constanza Opera in Romania to sing the Mozart Requiem as alto soloist as well as the Brahms Rhapsodie for alto.
In 2013, she was given the title role of Carmen in The Great Arias of Carmen proposed by the Association of the Friends of the Grand Theater, and staged by Lucette Brachet.  The performance was presented at the Grand Theater of Bordeaux.
During the year 2014, Caroline Gy developed her Oratorio repertoire in order to fulfill invitations to various festivals in 2014 and 2015:  Haëndel’s Messie, Bach’s Christmas Oratorio, and Mozart’s Great Mass in C.
At the end of 2014, she created a musical event entitled The Lyric Salon which unanimously seduced the public.
During the summer of 2015, Ms. Gy performed at the Festival of Base-Navarre in recital.  Later, she sang in the closing ceremony for the Journées de Patrimoine festivities at the Abbey of Saint Sever, which is a UNESCO World Heritage Site.
In 2016, Caroline Gy performed Carmen again in July, as well as several oratorio and operatic recitals in various venues such as the Créon Organ Festival, Saint Cyprien, Toulouse, Cannes, Lisbon, and Zurich.
During the summer of 2017, Ms. Gy developed and extended her repertoire in response to requests for a recital of Baroque opera (Vivaldi, Haëndel) in Marmande.  During the festival, she also performed an evening recital titled Pastel Night in Albi.  In October 2017, she had great success with the return of her Lyric Salon at the Athénée in Bordeaux.
In 2018, Ms. Gy was invited to perform during the opening concert of the Espace Culturel Germaine Tillion in Bergerac in order to sing a program of French and Italian opera.
The 2018 Journées de Patrimoine were an occasion for Caroline Gy to perform at the sumptuous Saint Eutrope Basilica in Saintes, where the audience was overwhelmed by the very high quality of her interpretation.


Encouraged by two English singers, Elizabeth Harwood and Maureen Lehane, Patrick Hilliard studied keyboard accompaniment for piano and organ at the Royal Northern College of Music in Manchester.  He was educated by David Lloyd, Geoffrey Pratly and Robin Bowman, and in 1986 he won the Peter Pears prize in London.
Afterwards, having moved to France, he accompanied numerous artists such as Michel Piquemal and Beatrice Uriah-Monzon and Atarah Ben Tovim, the masters of Radio France and the Regional Choir of the Midi-Pyrenees.
Voice conductor as well as choir conductor, Mr. Hilliard collaborates with the opera companies of Toulon and Bordeaux, the Festivals of Haut Quercy, the Sinfonia en Périgord (with Michel Laplénie and Sagitarius) and the Périgord Noir Festival. He is currently choirmaster of the Ensemble Vocal Arnaut-de-Mareuil
Mr. Hilliard holds a Certificate of Aptitude in piano accompaniment, and works in several conservatories in Southwest France.  He also continues to perform with the new generation of French singers, namely André Heyboer, Hermine Huguenel, and Stanislas de Barbeyrac.
Passionate about 19th century French music, he rediscovered and recorded the works of Marie de Grandval and produced two recordings of chamber music for piano.


Noriko OGAWA piano recital
Jan 13 @ 16 h 00 min – 17 h 30 min


Mozart : sonata N°11 in A maj K331

Debussy; Images Book I

Debussy; Estampes


Rentaro Taki; Grudge (one of the very first piano pieces ever written in Japan, 2 mins)

Yoshihiro Kanno;  A Particle of Water for piano and Myochin Hibashi Chopsticks (written for Noriko)

Chopin;  Waltz Brlliante Op.18

Chopin;  Andante Spianato and Grand Polonaise

Noriko Ogawa has achieved considerable renown throughout the world since her success at the Leeds International Piano Competition. Noriko’s “ravishingly poetic playing” (Telegraph) sets her apart from her contemporaries and acclaim for her complete Debussy series with BIS Records, confirms her as a fine Debussy specialist. Her Images Book I and II were chosen as the top recommendation ‘exquisite delicacy’, BBC Radio 3’s CD Review, January 2014. Noriko’s latest recording for BIS records is of solo piano music by Eric Satie.

Noriko appears with all the major European, Japanese and US orchestras including the Polish National Radio Symphony Orchestra, Tchaikovsky Symphony Orchestra of Moscow Radio, BBC Philharmonic Orchestra, Czech National Symphony Orchestra, St. Petersburg Symphony Orchestra, as well as the BBC Symphony Orchestra for the world premiere of Richard Dubugnon’s Piano Concerto. Noriko made her BBC Proms debut in August 2013 and appeared again in 2014 with the Endymion Ensemble. She was the Artistic Director for the Reflections on Debussy Festival 2012 at Bridgewater Hall. In 2015 she continued as Associate Artist for Ravel and Rachmaninov Festival.

As a recitalist and chamber musician, with her piano duet partner Kathryn Stott, Noriko has performed Malcolm Arnold’s Concerto for Two Pianos at the 2013 BBC Proms.

Noriko regularly judges the BBC Young Musician, Munich International Piano Competition, Honens International Piano Competition and the Scottish International Piano Competition. Noriko has been appointed as Chairperson of the Jury for Japan’s prestigious 10th Hamamatsu International Piano Competition in 2018.

Noriko’s Japanese translation of Susan Tomes’s book Out of Silence – a pianist’s yearbook has been reprinted due to popular demand.

Noriko is passionate about charity work, after the tsunami in Japan in 2011, she has raised over £40,000 for the British Red Cross Japan Tsunami Fund. Noriko founded Jamie’s Concerts a series for autistic children and parents and is a Cultural Ambassador for the National Autistic Society.

Noriko is a professor at Guildhall School of Music and Drama.

GALLIEN trio : piano, violin, cello @ Pôle d'Animation Culturelle
Feb 3 @ 16 h 00 min – 18 h 00 min

In just a few months, the Gallien Trio has established itself on the international scene as one of the most promising ensembles of its generation, winning the third prize of the prestigious “Franz Schubert und die Musik der Moderne” International Competition in Graz in Austria in February 2018, followed in September of the same year by the first prize and the special public prize at the “Gaetano Zinetti” International Competition in Verona, Italy.
Composed of Aurélienne Brauner, Tristan Liehr, both First Soloists in the Bordeaux Aquitaine National Orchestra, and Emmanuel Christien, concert pianist and chamber musician, the trio was formed in the city of Bordeaux when these three young and talented musicians met,  bringing together their shared passion for chamber music in general, and for the exceptional and inexhaustible trio repertoire with piano in particular.
The Gallien Trio, whose repertoire is very eclectic covers almost three centuries, from Haydn, Schubert, Beethoven, Mendelssohn to contemporary works by Takemitsu, Mantovani, not to mention French music with Ravel or Chausson, performs regularly in music halls throughout France and Europe. 

The Trio Gallien is underwritten by the Association Les Amis de l’ensemble Gallien.

Haydn : trio n°43 Hob.XV.27 in C maj
Beethoven : Trio in C minor
Mendelssohn :Trio N°1 in D min op 49

Aurélienne Brauner has been cello-solo of the Bordeaux-Aquitaine orchestra since 2014.
Aurélienne began the cello with Paul Rousseau then continued her training at CRR Bordeaux in the class of Etienne Péclard. She then joined the CNSM in Paris in the class of Philippe Muller where she received unanimous suma cum laude awards for cello and chamber music along with the Feydeau de Brou Saint-Paul scholarship. She went on to study at the Universität der Künste Berlin with Jens-Peter Maintz.
Winner of an interpretive prize at the Lutoslawski competition, she is supported by the Société Générale Musical Mécénat and the Meyer Foundation, thus enabling her to produce a “Young Soloists” CD dedicated to solo cello works of the 20th century.
Aurélienne has performed in New York, Kyoto, Santander, Verbier, Berlin, La Roque d’Anthéron, the Cité de la Musique, the Théâtre du Châtelet, the Palais des Beaux-Arts in Brussels, Theater of Tunis, Salle Cortot, Annecy National Theater, Aix-en-Provence Grand Theater, Grimaldi Forum in Monaco, Tchaikovsky Conservatory in Moscow. She was also the guest of Gaëlle Le Gallic on France Musique and “Découverte” of the magazine Classica-Répertoire.
In 2009, she received the Del Duca Foundation prize awarded by the Academy of Fine Arts to reward the beginning of her musical career and is laureate of the Vocation Foundation (“President of the Republic Promotion”). She was selected by the “International Holland Music Sessions for the “New Masters on Tour” tour in 2010-2011. She has also performed on Radio France as part of the “Generation Young Performers” concerts. She has been heard alongside Patrice Fontanarosa, David Grimal, Paul Katz, Svetlin Roussev, François Salque and Jean-Guihen Queyras …
In 2011, Aurélienne played as soloist with the Lille National Orchestra under the direction of Laurent Petitgirard and as soloist with the Baden-Baden Philharmonic Orchestra (Germany)  In 2012 she appeared in several festivals in France and abroad, notably in Sweden and at the Palazzetto Bru Zane in Venice with pianist Lorène de Ratuld.
 More recently, she toured Norway with the MinEnsemble and appeared in concerts in various festivals (Sinfonia in Périgord, Music in Tarn Valley, Vollore Concerts, Musician in Ouessant, Oslo Chamber Music Festival, Ravel Days in Montfort-l’Amaury, festival of Aix-en-Provence, Musical Flâneries of Reims).
 In 2015, she played with the ensemble intercontemporain at the Philharmonie de Paris and toured in the United States, as a soloist with the orchestra of Douai-Nord / Pas-de-Calais Region and recorded a CD dedicated to the works of David Monrad Johansen for SIMAX Classic in Norway which was nominated for the Norwegian Grammy 2016 (Spellemanprisen)
In 2017, she was heard in the Brahms double at the Bordeaux auditorium with the violinist Alexandra Soumm and in the Tchaikowsky Variations Rococo in 2018 with the Lyon Chamber Orchestra at the Salle Molière.
 Her recording of French sonatas “Twilight” in duet with pianist Lorène de Ratuld was released in April 2018 for the label Anima-Records.
Aurélienne also teaches cello and chamber music at Bordeaux’s Center for the Higher Education of Music.
Born in 1982, Emmanuel Christien joined Jacques Rouvier’s class at the National Conservatory of Music in Paris in 1999 and brilliantly won piano, chamber music and vocal accompaniment. He entered the developmental cycle in 2005. He is a laureate of the Alfred Rheinold Foundation which offers him a Blüthner piano.
As first prize winner in several international competitions (best interpretation of works of Brahms in the Casagrande Competition in Terni, Italy, and the Vlado Perlemuter European Competition), Emmanuel is invited to prestigious halls and festivals throughout the world – namely Saint-Denis, Folle day of Nantes, La Roque d’Anthéron, Montpellier Radio-France, the Pianissimes, Athenian, Chopin Bagatelle, Berlioz Festival, Pleyel Hall, Theater Champs-Elysees in Paris, in Europe, Japan, India, Canada, and Russia. 
Although a talented concert artist, accompanied by orchestras such as the Orchestre de Paris, the Montpellier Languedoc-Roussillon National Orchestra, the Caen Orchestra, the Moldavian Chamber Orchestra, Emmanuel does not neglect his passion for chamber music and regularly performs with artists such as David Fray, Bruno Monsaigeon, Adam Laloum, the Ardeo Quartet, Jean-Claude Pennetier and Dame Felicity Lott, as well as the Monsolo and Gallien Trio ensembles. 
He has recorded several cd’s, the most recent of which are dedicated to Schumann’s Fantaisestücke (Artie’s Records) to César Cui’s melodies (EnPhases) and Bach’s concertos for two, three and four pianos (Erato).
Appointed First Solo violin at the National Orchestra Bordeaux Aquitaine in 2015, after having been a member of the National Opera Orchestra of Lyon for two seasons, Tristan Liehr was passionate about the orchestra from an early age.
In 2011, he joined the prestigious Gustav Mahler Jugendorchester founded by Claudio Abbado, and then, eager to approach the contemporary repertoire, in 2013 he joined the orchestra of the Lucerne Festival Academy directed by Pierre Boulez.
Barely 25 years old, his experience is already considerable as he has had the opportunity to perform in numerous prestigious concert halls around the world (Concertgebouw in Amsterdam, Royal Albert Hall and Barbican Center Hall in London, Dresden Opera, Champs Elysees Theater in Paris, Grosses Festspielhaus Salzburg, KKL Lucerne, the Madrid Philharmonic, Vienna Musikverein, Megaron in Athens, Suntory Hall in Tokyo, Shirakawa Hall in Nagoya, Osaka Symphony Hall , …), under the direction of famous conductors (Sir Colin Davis, William Christie, Daniele Gatti, Emmanuel Krivine, …).
In parallel with his orchestral activities, Tristan Liehr also has a very rich chamber music career, and his performances earned him early recognition and praise from noted critics:
“A virtuoso with great control, Tristan Liehr plays with a very clean style and impressive composure”. – Anaclase website (2013)
He participates in many festivals (Messiaen, Vivoin, Mai musical, Byblos in Lebanon, …) and performs in different concert halls (Grand Théâtre de Bordeaux, Salle Dutilleux, Salle Molière in Lyon, Opéra de Lyon, …).
Although his training remains classical (five First Prizes at just 15 years old at the CRR in Saint-Maur in violin, chamber music, musical training, analysis, instrumental deciphering, as well as a writing diploma, then a Master’s degree with honors at the National Conservatory of Music of Lyon in the class of Vladimir Nemtanu and Kazimierz Olechowski), Tristan Liehr, always curious, is equally open to other styles of music. He records as a soloist, in chamber music ensembles, in composition for films, as accompanist for French and Québécois singers, as well as giving concerts of Yiddish music (notably at the Shoah Memorial in Paris). Most recently, he went to New Orleans (USA) where he participated as a member of a string quartet, recording a jazz cd with the famous musicians Evan Christopher, Herlin Riley, Aaron Diehl and Nicholas Payton.
Tristan Liehr plays a violin by Claude Pierray from 1716.


Camille THEVENEAU violin / Florent LING piano recital @ Pôle d'Animation Culturelle
Feb 24 @ 16 h 00 min – 17 h 45 min

Duo con Fuoco was formed at the end of a multidisciplinary project.
Graduates of the National Conservatory of Music of Paris, Camille Théveneau and Florent Ling are guided by a common desire to launch a dialogue of the arts, embarking on a dual artistic adventure.  Musicians and narrators in search of the illusory, they aim to merge the imaginary and the sensual in perfect balance.  As artistic accomplices, they take their sonatas on a new journey of curiosity and delight.

Programme :

Liszt, Ballade n°2

– G. Fauré, Sicilienne

– J. Brahms, sonata for violin and piano op.78 n°1 in G Maj


– Camille Saint-Saens, Danse Macabre

– G. Fauré, Après un Rêve

– F. Poulenc,

sonata for violin and piano – extrait-

Camille Théveneau comes from a family of musicians who urged her to begin studying the violin at the age of 6.  In 2013, the joined CNSM Lyon to study with Marianne Piketty.  During her studies under the Erasmus Program in Germany, Camille trained under the violinist Marina Chiche.  This relationship was critical to the approach to her repertoire.
Returning to France, she joined CNSM in Paris to earn a master’s degree, where she continued her career studying with Alexis Galpérine.  She graduated in June 2018.
In parallel studies, Camille perfected her technique with eminent talents such as Ivry Gitlis, Michael Martin, Baiba Skribes, and Miriam Fried, to refine her musical research.
Camille has flourished in working with various chamber music ensembles which have given her the opportunity to share the stage with renowned musicians such as Renaud Capuçon, Didier Lockwood, Michel Lethiec, Christian Altenburger, Hartmut Rohde and Michel Dalberto.
Camille is a laureate of the International Awards CIM of Val d’Isère, Leopold Bellan, Flame, Arthur Grumiaux and Marie Cantagrill, among others.
Miss Théveneau sees music an an expression of wonder, and she surrounds herself with artists from diverse backgrounds in order to enrich herself with multiple experiences.  She contributes notably to the show “Kafka in the Cities” on the music of Phillippe Hersant  created in March 2018 at the Comédie de Caen.  She also collaborates regularly with young actors of the CNSAD, underwritten by the Music and Wine Foundation of Clos Vougeot, benefitting from an instrumental loan.
Camille was part of the “Mozart” promotion within the Jaroussky Academy for the year 2017-2018, with the advice of Geneviève Laurenceau.
As soon as she returns to Paris, she will have the opportunity to perform at the Bourdelle Museum, the Montmartre Museum, the Saint Marcel Temple and the Bernarnos Auditorium.
Camille will make her debut in Asia in duet with piano, touring China, Taiwan and Macau.


Florent Ling was born in Paris in 1994.  He discovered the piano while he was very young when he began studying with Professor Bin Wang.
At the age of 18, he decided to pursue a musical career, and joined the CRR of Paris, as well as the Ecole Normale de Musique Cortot where he had the chance to study with pianists Romain Dercharmes, Erik Berchot, and Bruno Rigutto.
During these years, he participated in many master classes, especially with Bruno Rigutto, but also with Xu Zhong and Giovanni Bellucci.  He also played in several festivals, including the Lisztomania and the Musicales de Préfailles Festivals.
He is currently studying at the Conservatoire National Supérieur de Musique in Paris, under Hortense Cartier-Bresson and Fernando Rossano. He won his piploma with unanimous honors.
During the summer of 2017, Florent performed in Asia, presenting concerts in Taiwan, and performing and giving master classes at the Conservatorio de Macau.
In December of 2017, he won the First Prize at the Claude Bonneton International Piano Competition, as well as the Public Prize, the Best Modern Art Award, and the BestSupport Award.
Alongside his activities as a musician, Florent is also passionate about theater, and studies dramatic art at the Conservatoire du 9e arrondissement.

Students from the Pôle d’Enseignement Supérieur de la Musique de Bordeaux @ Pôle d'Animation Culturelle
Mar 17 @ 16 h 00 min – 17 h 30 min
Matias Tanneche :
-C. Debussy, Danseuses de Delphes, Canope, Tierces alternées, Bruyère, issu des préludes
-F. Liszt, Rakoczy March, issu des rapsodies Hongroises
-M. Ravel, Alborada del Gracioso, issu des miroirs
Mathilde Amorsi :
-Brahms, klavierstucke Op. 119
Intermezzo n°1
Intermezzo n°2
Intermezzo n°3
-Rachmanninov, prélude Op. 23 n°2 en Si bémol majeur.
Eva Lefebvre et Baptiste Guittet :
-Schumann, fantasiestucke Op 73 pour clarinette et piano.

After completing the conservatory of perpignan in the class of FM Rignol in 2013 at the age of 19, Matias Tanneche is received in the advanced course at the Conservatory of Saint-Maur des Fossés in the class of F. Rossano while being admitted in master-class with D. Pascal, professor at CNSM in Paris.
He is currently finishing his studies at the Pole of Higher Education of Music and Dance (PESMD) Bordeaux Aquitaine in the class of O. Chauzu parallel to his improvement in harmony in composition.

Mathilde Amorsi begins the piano at the age of 7 in a small village in the south of France near the pianiste Muriel Delli. At the age of 11 she entered the Montpellier Conservatory and studied with Sophie Grattard, thanks to whom Mathilde obtained her graduation diploma at the Piano Conservatory at the age of 17. The same year she is admitted to CNSMD Lyon … may be a little too early!
She will study piano for one year with Alain Planes and Svetlana Eganian. Currently Mathilde Amorsi continues her musical training in the PESMD in the class of Hervé N’kaoua.

Baptiste Guittet began playing the piano at the age of 7, but it was only later, at 16, that he joined the Conservatoire de Vannes in Fabrice Bourlet’s class, where he brilliantly obtained his DEM in 2015. He is now studying at PESMD in Hervé N’Kaoua’s class.
Curious, he is also passionate about the baroque repertoire and studies notably the harpsichord at the Bordeaux conservatory with Aurélien Delage and Kevin Manent where he gets his DEM in June 2018.

Eva Lefebvre trained at CRR Rennes and Paris where she obtained her DEM clarinet and bass clarinet. She wins among others the First Prize of the International Academy of Music of Flaine in 2016.
She is currently studying at PESMD.

Christine STEVENSON piano recital @ Pôle d'Animation Culturelle
Apr 7 @ 17 h 00 min – 19 h 00 min

Beethoven – Bagatelle Op 126 No 3 in E flat major

32 Variations on a Theme in C Minor WoO 80

Schumann – Romance in F sharp Major Op 28   No 2

Liszt – from the three books of Années de pèlerinage:

From Première année: Suisse

Au Lac du Wallenstadt

From Deuxième année: Italie

Il Penseroso,

From Troisième année

Les jeux d’eaux a la Villa d’Este

From Harmonies poétiques et religieuses



Chopin – The Four Scherzi

Scherzo No 1 in B Minor, Op 20

Scherzo No 2 in B flat Minor, Op 31

Scherzo No 3 in C sharp Minor, Op 39

Scherzo No 4 in E Major, Op 54

Christine Stevenson enjoys a distinguished career as a pianist throughout the UK and abroad. She is an Artistic Director of the annual Summer School for Pianists at Stowe where she gives recitals and masterclasses (visit for details), and is on the staff of the Junior Department of the Royal College of Music in London. She writes about piano music at

Recent engagements include recitals of music by Chopin and Paderewski given in London and at Highclere Castle (television’s ‘Downton Abbey’) to celebrate 100 years of Polish Independence, performances of music for Twenty Digits – piano duet and piano duo – featuring Gustav Holst’s own arrangement of ‘The Planets’ for two pianos, while future concerts include chamber music by Clara Schumann presented by LSO animateur Rachel Leach, and a return visit to France for recitals in the Dordogne region.

Christine’s recording credits include music by award-winning British composer Thomas Hewitt Jones, as well as the premiere CD recording of Alkan’s Rondo Brillant with members of the London Mozart Players. Her solo recording of Liszt’s ‘Années de Pèlerinage – II – Italie’ has been critically acclaimed.

Born in Melbourne, Christine graduated from the Victorian College of the Arts with distinction, being twice awarded the Gaitskell prize for the most outstanding student. She studied with pupils of Cortot, of Nadia Boulanger and of Michelangeli, and with the celebrated English pianist, Ronald Smith, also participating in masterclasses given by Sergei Dorensky, Aldo Ciccolini and Vlado Perlemuter.

Aurélie LIGEROT soprano / Simon ADDA-FREYSS piano recital @ Pôle d'Animation Culturelle
Apr 28 @ 17 h 00 min – 18 h 30 min

Program :



Critically acclaimed for The King of Hearts in Saint Etienne Opera, Aurélie Ligerot is distinguished by “A flexible phrasing, a luminous timbre, clear highs, and a dramatic sense and perfect gestures” (, March 2016 ). She performs in the major French houses such as the Théâtre du Capitole in Toulouse, The Opéra National de Bordeaux, the Opera companies of Avignon, Marseille and Toulon where she sings the tribute of honor in Macbeth and the high priestess in Verdi’s Aida, Anna Kennedy in Donizetti’s Maria Stuarda, Andreloun in Gounod’s Mireille, and Bianca in The Jano Rondine in Janaček’s Jenufa. Parallel to her studies at the Conservatoire de Bordeaux, the operatic company Opera Bastide has offered her principal roles, including Pamina in Die Zauberflöte, Fiordiligi in Mozart’s Cosi Fan Tutte, and Michaela in Carmen. Abroad, she sings Donizetti’s Love in Sarzana (Italy) and Violetta in Verdi’s La Traviata at the Hamburger Kammeroper (Germany), and recently Leïla in Bizet’s The Pearl Fishers at Opera Romana Craiova (Romania).


Her repertoire of sacred music includes Bach’s 140 and 150 cantatas, Zelenka’s Missa Votiva, Mendelssohn’s Symphony 2 “Lobgesang”, Rossini’s Small Mass, Carmina Burana by C. Orff and Poulenc’s Gloria. She has regularly performed with Antoine Chenuet, director of the program The Night Romance, and with the pianist François Henry in a work based on Théophile Gautier: Théophile Gautier, Muse of the Composers or One Does Not Trifle with the Melody, a program based on de Musset’s work with Jacques-François Loiseleur des Longchamps and Stéphanie Humeau. Her solo recital Désire[s] provides the beautiful part of the verist repertoire. This season, she takes on the role of Violeta in Traviata with the company Figaro Si Figaro Là. This recital will be on May 25 in a musical conference by Brigitte Durup on Verdi with tenor Olivier Trommenschlager.



Born in 1978, he began playing the piano at the age of 8. Admitted to the National Conservatory of Paris (CNR) in 1991, he entered the piano class of Pierre Réach and Marie-Louise Langlais organ. He works in parallel with Laurence Allix, renowned pedagogue. In 1993, he won the Ermend-Bonnal Prize of the first André Marchal International Organ Competition in Biarritz. In 1994 he attended the National Conservatory of Music (CNSM) in Paris, studying piano with Jean-François Heisser, and chamber music with Christian Ivaldi, and winning first prize in piano. He then took master classes with Rena Shereshevskaya in Colmar, while continuing his studies at the CNSM in Paris.

Simon Adda-Reyss has the privilege of receiving frequent advice from the master Olivier Messiaen. Both on the organ, on the piano and as a soloist or orator, he regularly performs in Paris (theater Châtelet, auditorium of the Musée d’Orsay, home of Radio France, etc), in the provinces, and abroad; notably in Moscow where he played in the grand hall of the Tchaikovsky Conservatory under the direction of Yuri Bashmet, and then in Japan, where he will perform again this year in Tokyo as part of the Ginza Chanel Chamber Music Festival. He was the accompanist of the singer Jane Rhodes. Recently, he played in the story of Babar F. Poulenc with actress Marie-Anne Chazel. Simon Adda-Reyss improvised the music of the modern series of drawings, broadcast on Canal + in 2000/2001. That same year, he was also chosen as piano accompanist by actor François Morel.

Always passionate about teaching and the transmission of knowledge, Simon Adda-Reyss holds the C.A., obtained under the supervision of the higher education of the National Conservatory of Music of Paris. In 2008, he was appointed Assistant Professor at the same school.

Simon Adda-Reyss also performs in partnership with the violinists Julien Dieudegard, Akiko Yamada and Nemanja Radulovic, the cellist Atsushi Sakai, and the singer Simon Edwards.